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I hope that America as a whole, and especially its architects, will become more seriously involved in producing a new architectural culture that would bring the nation to the apex - where it has stood before - and lead the world.

Tadao Ando

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Tadao Ando
Age: 83
Born: 1941
Born: September 13
Architect
Boxer
Master Builder
University Teacher
Tadao Andō
Andō Tadao
Become
Lead
America
Especially
Apex
Whole
Nation
Architectural
Would
Involved
Architects
World
Bring
Producing
Nations
Architect
Hope
Stood
Culture
Seriously

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People tend not to use this word beauty because it's not intellectual - but there has to be an overlap between beauty and intellect.
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You always want to try to make something new, and, of course, America is the world leader in economics today.
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I believe that the way people live can be directed a little by architecture.
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I think of the past and the future as well as the present to determine where I am, and I move on while thinking of these things.
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I would like my architecture to inspire people to use their own resources, to move into the future.
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As long as you have an objective in your mind you are young.
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Since I am a Japanese man who's been building through the experience of Japanese architecture, my actual designs come from Japanese architectural concepts, although they're based on Western methods and materials.
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All those involved in the construction of an architectural design, from the architect to the builder, have an attachment to the architecture, although it's difficult to quantify the attachment.
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Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.
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You can't really say what is beautiful about a place, but the image of the place will remain vividly with you.
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In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.
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I don't look so closely at women's fashion, but from the 20th century on, people have had the freedom to express themselves and their individualities, and fashion is one of the most fundamental ways in which they do this, men and women are equally able to express themselves.
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I think that capitalism has just gone too far. And it is actually not limited to the United States. The excesses of capitalism is making us suffer all over the world right now.
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If there is only one culture all over the world, that's not a good thing.
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I want to create a space that moves people. It doesn't matter if it is a house, or a museum, or whatever. So, it is somebody sitting on that lawn, just going around and around and feeling really happy. That is something that I'm striving for.
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My hand is the extension of the thinking process - the creative process.
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The computer offers another kind of creativity. You cannot ignore the creativity that computer technology can bring. But you need to be able to move between those two different worlds.
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All architecture has a public nature, I believe, so I would like to make a public space.
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Italy is full of historical buildings. And Europe holds a great history of philosophy from Greece until today. I read all those books and see these buildings, and I think of where I stand when I design my architecture.
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Spiritual space is lost in gaining convenience. I saw the need to create a mixture of Japanese spiritual culture and modern western architecture.
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