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In Italy, there are so many significant architectural structures in history such as the Pantheon in Rome, or the Duomo.

Tadao Ando

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Tadao Ando
Age: 83
Born: 1941
Born: September 13
Architect
Boxer
Master Builder
University Teacher
Tadao Andō
Andō Tadao
History
Many
Pantheon
Architectural
Structures
Italy
Rome
Significant
Structure

More quotes by Tadao Ando

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As long as you have an objective in your mind you are young.
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I don't look so closely at women's fashion, but from the 20th century on, people have had the freedom to express themselves and their individualities, and fashion is one of the most fundamental ways in which they do this, men and women are equally able to express themselves.
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I think of the past and the future as well as the present to determine where I am, and I move on while thinking of these things.
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If you give people nothingness, they can ponder what can be achieved from that nothingness.
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The speed of change makes you wonder what will become of architecture.
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I think that capitalism has just gone too far. And it is actually not limited to the United States. The excesses of capitalism is making us suffer all over the world right now.
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Spiritual space is lost in gaining convenience. I saw the need to create a mixture of Japanese spiritual culture and modern western architecture.
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I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
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All architecture has a public nature, I believe, so I would like to make a public space.
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You always want to try to make something new, and, of course, America is the world leader in economics today.
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Italy is full of historical buildings. And Europe holds a great history of philosophy from Greece until today. I read all those books and see these buildings, and I think of where I stand when I design my architecture.
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At the same time, I would add that the American people have a lot of courage.
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I don't believe architecture has to speak too much. It should remain silent and let nature in the guise of sunlight and wind
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I believe that the way people live can be directed a little by architecture.
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Since I am a Japanese man who's been building through the experience of Japanese architecture, my actual designs come from Japanese architectural concepts, although they're based on Western methods and materials.
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Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.
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I want to create a space that moves people. It doesn't matter if it is a house, or a museum, or whatever. So, it is somebody sitting on that lawn, just going around and around and feeling really happy. That is something that I'm striving for.
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There are self-made millionaires - their aspiration is first to make money. But the once that goal is achieved, they have to look for something and sometimes they become patrons of art or museums. And that is how the world should go.
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My hand is the extension of the thinking process - the creative process.
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In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.
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