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Aloneness and selfness are too important to betray for company.

Sylvia Plath

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Sylvia Plath
Age: 30 †
Born: 1932
Born: October 27
Died: 1963
Died: February 11
Autobiographer
Diarist
Essayist
Novelist
Poet
Writer
Boston
Massachusetts
Victoria Lucas
Sylvia Plath Hughes
Aloneness
Betray
Company
Important

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If I was going to fall, I would hang on to my small comforts, at least, for as long as I possibly could.
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Outcast on a cold star, unable to feel anything but an awful helpless numbness. I look down into the warm, earthy world. Into a nest of lovers' beds, baby cribs, meal tables, all the solid commerce of life in this earth, and feel apart, enclosed in a wall of glass.
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I want to taste and glory in each day, and never be afraid to experience pain and never shut myself up in a numb core of nonfeeling, or stop questioning and criticizing life and take the easy way out. To learn and think: to think and live to live and learn: this always, with new insight, new understanding, and new love.
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I have the choice of being constantly active and happy or introspectively passive and sad. Or I can go mad by ricocheting in between.
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But everybody has exactly the same smiling frightened face, with the look that says: I'm important. If you only get to know me, you will see how important I am. Look into my eyes. Kiss me, and you will see how important I am.
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The sky leans on me, me, the one upright among all horizontals.
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You are a dream I hope I never meet you.
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Joy:show joy & enjoy: then others will be joyful.
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A terrible depression yesterday. Visions of my life petering out into a kind of soft-brained stupor from lack of use.
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A black-sharded lady keeps me in a parrot cage.
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I know the bottom, she says. I know it with my great tap root: It is what you fear. I do not fear it: I have been there.
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Life was not to be sitting in hot amorphic leisure in my backyard idly writing or not writing, as the spirit moved me. It was, instead, running madly, in a crowded schedule, in a squirrel cage of busy people. Working, living, dancing, dreaming, talking, kissing- singing, laughing, learning.
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Why can’t I try on different lives, like dresses, to see which fits best and is more becoming?
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I must say that I am not very genteel and I feel that gentility has a stranglehold: the neatness, the wonderful tidiness, which is so evident everywhere in England is perhaps more dangerous than it would appear on the surface.
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But I am I now and so many other millions are so irretrievably their own special variety of 'I' that I can hardly bear to think of it. I: how firm a letter how reassuring the three strokes: one vertical, proud and assertive, and then the two short horizontal lines in quick, smug succession. The pen scratching on the paper…I…I…I…I…I…I.
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How frail the human heart must be - a mirrored pool of thought.
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You ask me why I spend my life writing? Do I find entertainment? Is it worthwhile? Above all, does it pay? If not, then, is there a reason?... I write only because there is a voice within me. That will not be still.
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I love life. But it is hard and I have so much, so very much to learn.
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What I fear most, I think, is the death of the imagination.
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I am made, crudely, for success.
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