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Through failure, I found different ways to reverse my problems and get into the mainstream of Hollywood.

Sylvester Stallone

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Sylvester Stallone
Age: 78
Born: 1946
Born: July 6
Actor
Character Actor
Film Actor
Film Director
Film Producer
Painter
Pornographic Actor
Restaurateur
Screenwriter
Television Actor
Writer
Hells Kitchen
Sly Stallone
Sylvester Enzio Stallone
Michael Sylvester Gardenzio Stallone
Hollywood
Failure
Problems
Ways
Found
Problem
Different
Reverse
Way
Mainstream

More quotes by Sylvester Stallone

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In the movies, I kill guys with an axe. In real life, I can't control a nine-year-old girl.
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I do believe that American should deal from strength.
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I've been involved in something which was chaotic and insane. All I can say now is that I am, and intend to stay, a single man.
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I'd live in a museum if I could. I used to spend hours and hours in the Museum of Modern Art.
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Once I stopped trying to always do everything my way, and once I asked for God's help, things have truly gone a different direction.
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I believe there's an inner power that makes winners or losers. And the winners are the ones who really listen to the truth of their hearts.
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Your spiritual sense will make you either a winner or a loser.
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I wish my daughters would box. I'm so worried about the guys coming up to them. I would love them to be able to smack a guy right off a bar stool.
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Most of the films I myself like don't do very well. Every director, he has a choice, whether to go for subtlety and try to articulate every minute detail, or to go for the broad strokes and hope that the people will fill in between the lines. I tend to go for the broader strokes.
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On the sequel, you've lost the element of surprise. Usually, on the first one you may not go very, very deep into character the second one you start to explore the character a bit more.
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If you look at people that have survived crashing in the mountains and lived up in the snow for 40 days - it's possible to do extraordinary feats.
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It's funny because when Jason [Statham] was drowning I was filming with an iPhone. It may have been a bit insensitive but I just thought, you know what, this was a magic moment. And I couldn't help him anyway because I didn't want to drown.
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Whenever I don't get injured, the film is a dud. I didn't bleed on 'Rhinestone.' I didn't bleed on 'Stop! Or My Mom will Shoot.'
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When you're pushed killing is as easy as breathing.
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I was on cruise control from '85 to '95, and it was my fault. There were a lot of self-inflicted wounds, when I was not doing any original material. I wasn't directing. I wasn't writing. That's not who I am.
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I'm not just painting for painting's sake. I want to be truthful.
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I never quite understood these actors - though I envy them sometimes - who can lie out for a year or two. I feel as though time is a real pressing issue, and I want to get as much work done in the time that I have left.
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Testosterone to me is so important for a sense of well-being when you get older.
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Action film is really easy to do, you just get in a car and smash through things and it's called action. The real key is what happens between the action when it's quiet. Loud is easy. Quiet, real hard.
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Everyone has this conjecture that action films are somewhat less prestigious than dramatic films. Nothing could be further from the truth. I've done them both and this is hard and dangerous.
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