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I've always said that the artist dies twice. And the first death is the hardest which is the career death, the creative death. The physical death is an inevitability.
Sylvester Stallone
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Sylvester Stallone
Age: 78
Born: 1946
Born: July 6
Actor
Character Actor
Film Actor
Film Director
Film Producer
Painter
Pornographic Actor
Restaurateur
Screenwriter
Television Actor
Writer
Hells Kitchen
Sly Stallone
Sylvester Enzio Stallone
Michael Sylvester Gardenzio Stallone
Careers
Creative
Dies
Artist
Inevitability
Death
Twice
Firsts
Hardest
First
Physical
Always
Career
More quotes by Sylvester Stallone
At the very end, the one person who Rambo should kill, he doesn't kill. He lets it live. Because you can't kill that kind of hypocritical bureaucracy. It goes on forever.
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Love is absolute loyalty. People fade, looks fade, but the loyalty never fades.
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No one's life is totally morbid. Even on a subtle scale there's little flashes of enlightenment and of happiness and joy.
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I tell people diets don't work. And I don't care what they say. I have tried them all.
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The only thing that I haven't done is perform brain surgery on myself. I've been very, very lucky. I've spared Shakespeare undue stress by not doing that.
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If I just know in my gut that a film is going to work, I'll fight to the death over it, and I convince myself. When a movie is purely a money job, the film doesn't have the same sort of intensity, and the audience almost senses it, at least that's the way I perceive it. So, yeah, the idea is to do something that you truly, truly believe in.
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Ya gotta do what ya gotta do.
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I have tons of regrets, but I think that's one of the reasons that push people to create things. Out of their angst, their regret, comes the best from artists, painters and writers.
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Testosterone to me is so important for a sense of well-being when you get older.
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I love being so tight on people in close-ups that the veins in their eyes look like the Mississippi River.
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Action film is really easy to do, you just get in a car and smash through things and it's called action. The real key is what happens between the action when it's quiet. Loud is easy. Quiet, real hard.
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Early on everyone should do, every time they do a big film, they should do a little film. It really does keep you grounded.
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That's what Rocky is all about: pride, reputation, and not being another bum in the neighborhood.
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You know what I think happened? After 'Rocky,' I was almost set up in the eyes of the media to make a flop.
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I've always boxed a certain way. But with Rocky, the character himself had to be kind of awkward. So I had to learn to fight that way.
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I understand that a lot of other actors don't have a choice. They have to eat so they need to work and they'll do films that they're not so proud of. But I've been fortunate enough to be given a second wind, so I try to pick projects I know will provide the audience the kind of escapism they want from me.
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To me, the most perfect screenplay ever written will be one word, when you finally reduce it down to that. Until then, writing will be an imperfect form of communication.
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I loved 'Rocky' and 'Rambo', and am very proud of them.
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I have a fear of heights that borders on mania.
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Every morning, I crawl out of bed. I sit there and think, 'Do I really need this?' And I drag myself to the gym in my garage. It's not fun. I hate it. I work out alone. Weights.
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