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I never quite understood these actors - though I envy them sometimes - who can lie out for a year or two. I feel as though time is a real pressing issue, and I want to get as much work done in the time that I have left.
Sylvester Stallone
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Sylvester Stallone
Age: 78
Born: 1946
Born: July 6
Actor
Character Actor
Film Actor
Film Director
Film Producer
Painter
Pornographic Actor
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Television Actor
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Hells Kitchen
Sly Stallone
Sylvester Enzio Stallone
Michael Sylvester Gardenzio Stallone
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Two
Understood
More quotes by Sylvester Stallone
I loved 'Rocky' and 'Rambo', and am very proud of them.
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When I was a kid, my mother used to feed me mashed-potato sandwiches, brussel sprout sandwiches my brain cells were starving from lack of food. I'll eat anything. I'll eat dirt.
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I never started out to be an action actor. I was an ensemble actor.
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I've always boxed a certain way. But with Rocky, the character himself had to be kind of awkward. So I had to learn to fight that way.
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When life hits you pretty hard, you can go into a dark corner.
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Life's not about how hard of a hit you can give... it's about how many you can take, and still keep moving forward.
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Characters I've played, they used to impact my paintings, like 80 percent of the time, and especially when I was doing an action film.
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I thought I had reached a point in life where everything would be smooth. But it is not. It just gets more jagged and pitted and filled with turns that take you into the dark recesses of your mind. It never seems to get easy.
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Painting is as close as a person can get to actually capturing the heat of the moment.
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I've kind of fashioned my life after a Slinky. Bend me in a million shapes, and eventually I'll spring back to what I originally was.
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I have a fear of heights that borders on mania.
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When I'm doing a movie, I eat the same thing every day. For lunch, it's tuna salad or chicken salad and cole slaw. That's it. For dinner it's either veal and rice, fish and rice or steak and rice. It gets boring boy, does it get boring.
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I was very much into buying contemporary art, but I've just decided I want to get rid of it all. Not that it's not great art, but all of a sudden my mood has changed, and I want to go back to seventeenth- and eighteenth-century masters.
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I'd rather do something I love badly than to feel bad about not doing something I love.
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Every rep I did on chin-ups, on squats with 500 pounds, I never said, to myself, 'Oh, my God, another rep.' I said, 'Yes, another rep, because that will make my dream turn into a reality.'
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Whenever I don't get injured, the film is a dud. I didn't bleed on 'Rhinestone.' I didn't bleed on 'Stop! Or My Mom will Shoot.'
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To me, the most perfect screenplay ever written will be one word, when you finally reduce it down to that. Until then, writing will be an imperfect form of communication.
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You've got to show your soul otherwise you're just a piece of equipment.
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I think there's a kind of built-in arrogance to anyone who considers themself an artist. They want to feel as though like they can run the whole spectrum. I can do it all. I can do minimalism, and I can do classical art. Well, that's not true.
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Until America, door to door, takes every handgun, this is what you're gonna have. It's pathetic. It really is pathetic. It's sad. We're living in the Dark Ages over there.
Sylvester Stallone
