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I believe there's an inner power that makes winners or losers. And the winners are the ones who really listen to the truth of their hearts.
Sylvester Stallone
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Sylvester Stallone
Age: 78
Born: 1946
Born: July 6
Actor
Character Actor
Film Actor
Film Director
Film Producer
Painter
Pornographic Actor
Restaurateur
Screenwriter
Television Actor
Writer
Hells Kitchen
Sly Stallone
Sylvester Enzio Stallone
Michael Sylvester Gardenzio Stallone
Believe
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Winning
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Inner
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More quotes by Sylvester Stallone
When I was a kid, my mother used to feed me mashed-potato sandwiches, brussel sprout sandwiches my brain cells were starving from lack of food. I'll eat anything. I'll eat dirt.
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I have tons of regrets, but I think that's one of the reasons that push people to create things. Out of their angst, their regret, comes the best from artists, painters and writers.
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Testosterone to me is so important for a sense of well-being when you get older.
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I loved 'Rocky' and 'Rambo', and am very proud of them.
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If it's not broken, break it. That's how new discoveries are made. That's why everything that changes life is called a breakthrough.
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Life is more than sunglasses and hit movies. Reality - that's the main event.
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You know you've been around when they start to remake your own movies when you're still alive.
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Making a movie is the same as an orchestra it's moving all the different instruments and the sounds, the kinetic and the auditory and the visual all together. I'm probably the trombone.
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That's what Rocky is all about: pride, reputation, and not being another bum in the neighborhood.
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There are endless exercises for arms, but the basics are best-chinups and pushups.
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On the sequel, you've lost the element of surprise. Usually, on the first one you may not go very, very deep into character the second one you start to explore the character a bit more.
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The way to be successful in Hollywood is to be as obnoxious as the next guy.
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We follow a certain pattern, a maze, if you will, every day, tracing our steps into certain districts and neighborhoods and back home. So it's easy for people to relate to clichés. That's why comedy routines are based on mutual experiences of clichés.
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We do two things in life: We race the clock and everything is a struggle. One way or not, it's a metaphorical battle all of the time.
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I understand that a lot of other actors don't have a choice. They have to eat so they need to work and they'll do films that they're not so proud of. But I've been fortunate enough to be given a second wind, so I try to pick projects I know will provide the audience the kind of escapism they want from me.
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I was very much into buying contemporary art, but I've just decided I want to get rid of it all. Not that it's not great art, but all of a sudden my mood has changed, and I want to go back to seventeenth- and eighteenth-century masters.
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I could start a war in 30 seconds. But some countries spend 100 years trying to find peace. Just like good manners, peace has to be learned.
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When I'm on a location, I pick a restaurant that's close and private and eat all my meals there.
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I try to combine in my paintings cinematic feeling, emotional feeling, and sometimes actually writing on the page to combine all the different elements of communication.
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