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You can be moderate in a way and still intense in your views. It's the extremism that gets frightening religious fundamentalism and wacko-left liberalism is crazy.

Sydney Pollack

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Sydney Pollack
Age: 73 †
Born: 1934
Born: July 1
Died: 2008
Died: May 26
Actor
Aircraft Pilot
Character Actor
Film Actor
Film Director
Film Producer
Television Actor
Television Director
New York City
New York
Sydney Irwin Pollack
Still
Liberalism
Way
Intense
Gets
Wacko
Views
Fundamentalism
Crazy
Extremism
Religious
Moderate
Left
Moderates
Stills
Frightening

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OK, I know this is going to disgust you, Michael, but a lot of people are in this business to make money.
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I'm not going to be an interpreter at the U.N. I'm not going to live in Africa on a farm or whatever, but I am going to see the world through those eyes when I make those films.
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No, I never went to college. Always regretted it, always envied people who did.
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We talked about Tootsie, the idea in Tootsie is that a man becomes a better man for having been a woman.
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I've produced my own films for twenty years now - it means I have to talk to less people.
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I tend to be what I would call more progressive than conservative, but I think either extreme is excessive.
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Relationship films are political. If a woman is sitting in a waiting room in an office and a man walks in and sits down, it's a political situation. If he decides to smoke, does he ask her or does he just light up? If he lights up, what does she do? It's politics.
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I mean, certainly it's the single biggest event, I think, in terms of popular entertainment, or art even, if you say that, of the 20th Century. It's been film. It's the 20th Century's real art form.
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I'm not trying to push my political agenda on anybody. I'll do that like any other citizen by giving money to a party or candidate I believe in. I don't mind going out and endorsing somebody I believe in. But when we're talking about my films, I don't think my politics should have anything to do with it.
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Editing feels almost like sculpting or a form of continuing the writing process.
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I mean, movies are like your kids or your fingers and toes or something, it's pretty hard to pick favorites.
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I make films, and I hope that people come to see them. If they don't, I pay a big price. But I can't make decisions where I would change my own standards or my own taste in order to court the public in some way.
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I mean, certainly writing, painting, photography, dance, architecture, there is an aspect of almost every art form that is useful and that merges into film in some way.
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Well, the wonderful thing about making movies, oddly enough, is that they're sort of highly motivated graduate studies in one or another field.
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By that I mean, I think that it is true that politics and political heroes have to satisfy our need to be greater than mortal in some way, and that's led them into creating illusions, sound bites, focus groups that tell you what to do.
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Well, there's no question that a good script is an absolutely essential, maybe the essential thing for a movie.
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I have to have a working knowledge of light, and optics, film emulsions and their properties, and lenses, otherwise I can't create the shoots that are the vocabulary of the films. But it is not necessary for me to be a cameraman, I can hire a cameraman.
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When you spend your life acting and being other people, as opposed to being the one person that you are, you learn that life is gray sometimes, not black and white. That what you thought was true isn't necessarily true if you switch sides.
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I personally have never made a movie in Hollywood, because I don't want to get up in my own bed and then go to the movie set, and then come home at night to my real life.
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It's always interesting to play people different from yourself, it would be boring for me to play myself.
Sydney Pollack