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In fact, ballet companies did not exist in the Midwest when I was a child.

Suzanne Farrell

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Suzanne Farrell
Age: 79
Born: 1945
Born: August 16
Ballerina
Ballet Dancer
Cincinnati
Ohio
Company
Child
Fact
Facts
Midwest
Children
Hiking
Ballet
Companies
Exist

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After I stopped dancing, I was unable to listen to beautiful music.
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I learned to love dance for its own sake.
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You don't learn from a situation where you do something well. You enjoy it and you give yourself credit, but you don't really learn from that. You learn from trial and error, trial and error, all the time.
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But what was my motivation was music, and the fact that I love to move around. I'm always moving around.
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The body can do amazing things in a situation when it is really called for.
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I used to love to play dress-up, where you get your mother's or your grandmother's dresses and high heels.
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When you are on stage, you don't see faces. The lights are in your eyes and you see just this black void out in front of you. And yet you know there is life out there, and you have to get your message across.
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I loved tests because it was another form of competing, a healthy competition.
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It's ungrateful to be wishing you were doing something else at the moment you are living. You haven't lived in the moment that you are really living, you are wishing you were somewhere else.
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You're never more of an individual than when you're a happy team player.
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Treat each class as if it were your first.
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I didn't have any doubts about my choice of career, but I had constant doubts about my ability, yes.
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So dancing was not something I had a great desire to do.
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Although we do come from a silent profession, it is important for us to verbalize what we want to say. (As I tell my students): you could love someone all your life, but if you never say it how are they going to know? There comes a point when you have to say what you mean, which makes you scream louder when you dance.
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I liked tap, because I liked hearing the results of my movements.
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Even though I am a professional, and I know what the steps are, I don't quite know how I'm going to do them, because I haven't lived that moment yet. I always feel very insecure and I get very excited.
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Fifth positions, heads, musicality, energy. Not technical things so much-getting your leg higher or doing more turns but things that would set you apart from other dancers. The only way you can be different is to be yourself if you don't find your spirit and reveal it, you just look like every other dancer.
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Good theater should always send people away feeling changed.
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I was very happy that I was as normal as possible before I went into serious dance.
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I think especially in a world where you have so little say about what goes on in your life, or in the politics of the world around you, it is wonderful to go into that studio, and tell yourself what to do.
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