Quote

Positioned on my dresser, that white-as-snow rose is a personal message to me. It speaks of unfinished business. It whispers, I can find you. I can reach you. Perhaps I am watching you now.

Suzanne Collins

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Suzanne Collins
Age: 62
Born: 1962
Born: August 10
Executive Producer
Novelist
Science Fiction Writer
Screenwriter
Writer
Hartford
Connecticut
Suzanne Marie Collins
Suzanne Collins
Perhaps
Unfinished
Personal
Speaks
White
Snow
Speak
Message
Business
Messages
Dresser
Find
Rose
Positioned
Watching
Dressers
Reach
Whispers

More quotes by Suzanne Collins

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It's impossible to be the Mockingjay. Impossible to complete even this one sentence. Because now I know that everything I say will be directly taken out on Peeta. Result in his torture. But not his death, no nothing so merciful as that. Snow will ensure that his life is much worse than death.
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When I was young I was trained in stage fighting and rapier and dagger, for several years.
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He never lets go of Annie's hand. Not when they walk, not when they eat. I doubt he ever plans to.
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Well, don't expect us to be too impressed. We just saw Finnick Odair in his underwear.
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I must still look perplexed because Gale delivers the next line very slowly. “Katniss…he’s still trying to keep you alive.” To keep me alive? And then I understand. The Games are still on.
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The only thing worse than fighting a giant scorpion was fighting a giant scorpion who was trying to protect her young.
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The bird, the pin, the song, the berries, the watch, the cracker, the dress that burst into flames. I am the mockingjay. The one that survived despite the Capitol's plans. The symbol of the rebellion.
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My death could, in fact, save him. If it can't, no matter. It's enough to die of spite. To punish Haymitch, who, of all the people in this rotting world, has turned Peeta and me into pieces in his Games. I trusted him. I put what was precious in Haymitch's hands. And he has betrayed me.
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I drink in his wholeness, the soudness of his body and mind. It runs through me like the morphling they give me in the hospital, dulling the pain of the last weeks.
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Shame isn't a strong enough word for what I feel. You could live a hundred lifetimes and not deserve him, you know, Haymitch says.
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Time and tragedy have forced her to grow too quickly, at least for my taste, into a young woman who stitches bleeding wounds and knows our mother can hear only so much.
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Destroying things is much easier than making them.
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I thought he wanted it, anyway, I say. Not like this, Haymitch says. He wanted it to be real.
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Once I'm on my feet I realize escape might not be so easy.
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Our romance became a key strategy for our survival in the arena. Only it wasn't just a strategy for Peeta.
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And suddenly, it's as if there's no one in the world but these two, crashing through space to reach each other. They collide, enfold, lose their balance, and slam against a wall, where they stay. Clinging into one being. Indivisible.
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Director Gary Ross has created an adaptation that is faithful in both narrative and theme, but he's also brought a rich and powerful vision of Panem, its brutality and excesses, to the film as well. His world building's fantastic, whether it be the Seam or the Capitol.
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Everything is about them, not the dying boys and girls in the arena.
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I miss him so badly it hurts.
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I squeeze my eyes shut and try to reach for him across the hundreds and hundreds of miles, to send my thoughts into his mind, to let him know he is not alone. But he is. And I can't help him.
Suzanne Collins