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Fire is a natural symbol of life and passion, though it is the one element in which nothing can actually live.

Susanne Katherina Langer

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Susanne Katherina Langer
Nothing
Symbols
Life
Elements
Fire
Passion
Though
Actually
Natural
Symbol
Live
Element

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Music is our myth of the inner life.
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The intellectual treatment of any datum, any experience, any subject, is determined by the nature of our questions, and only carried out in the answers.
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It is the historical mind, rather than the scientific (in the physicist's sense), that destroyed the mythical orientation of European culture the historian, not the mathematician, introduced the higher criticism, the standard of actual fact. It is he who is the real apostle of the realistic age.
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One can bear anything of which one is able to conceive.
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A philosophy is characterized more by the formulation of its problem than by its solution of them.
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Only a creature that can think symbolically about life can conceive of its own death. Our knowledge of death is part of our knowledge of life.
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Magic, then, is not a method, but a language it is part and parcel of that greater phenomenon, ritual, which is the language of religion. Ritual is a symbolic transformation of experiences that no other medium can adequately express.
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What is artistically good is whatever articulates and presents feeling to our understanding.
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In human life, art may arise from almost any activity, and once it does so, it is launched on a long road of exploration, invention, freedom to the limits of extravagance, interference to the point of frustration, finally discipline, controlling constant change and growth.
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Speech is the mark of humanity. It is the normal terminus of thought.
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Feeling, in the broad sense of whatever is felt in any way, as sensory stimulus or inward tension, pain, emotion or intent, is the mark of mentality.
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A signal is comprehended if it serves to make us notice the object or situation it bespeaks. A symbol is understood when we conceive the idea it presents.
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Most new discoveries are suddenly-seen things that were always there. A new idea is a light that illuminates presences which simply had no form before the light fell on them.
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Artistic form is congruent with the dynamic forms of our direct sensuous, mental, and emotional life works of art are projections of felt life, as Henry James called it, into spatial, temporal, and poetic structures.
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The historian does not locate known facts in a hypothetical, general pattern of processes his aim is to link fact to fact, one unique knowable event to another individual one that begot it.
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The first impression of a work of art is its otherness from reality.
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The power of magic has no known limits. A person knows, in a fair way, his own physical capacities, the weight of the blows he can deal, the furthest range of his arrows, the strength of his voice, the speed and endurance of his running but the reaches of his mind are indefinite and, to his feeling, infinite.
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Philosophizing is a process of making sense out of experience.
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We have no physical model of this endless rhythm of individuation and involvement, we do have its image in the world of art, most purely in dance.
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