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Even when I rehearse down in the bowels of the Metropolitan Opera, you can't help but think why The Phantom of the Opera was inspired by what happens in the bowels of the opera house.

Susan Stroman

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Susan Stroman
Age: 70
Born: 1954
Born: October 17
Actor
Choreographer
Film Director
Music Director
Theatre Director
Theatrical Director
Wilmington
Delaware
Susan P. Stroman
Inspired
Help
House
Metropolitan
Helping
Rehearse
Happens
Bowels
Even
Phantom
Think
Phantoms
Thinking
Opera

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It is a miracle a musical gets up because of all the different departments and how much it costs. It is a miracle.
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I think, though, the biggest heroes in my life would have been both my mother and father. My father because he was very brave and a kid from the Depression. And my mother, a child from the Depression too, who always remained so lovely her whole life.
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You can't remember what movie you saw two weeks ago, but you can remember what Broadway show you saw two weeks ago and where you ate dinner - everything about it. There's something about live theatre that hits you in the heart.
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I tell stories through dance, and I think that's why I'm so attracted to the theatre because even the choreography in theatre moves the plot forward at all times.
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I always say that you can't be afraid to ask the question. What's the worst that could happen? The answer could be no and you go on.
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My father was very funny, so I grew up with humor in the house. And I was always really attracted to comedies on TV. I was always really attracted to comics.
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I am a storyteller, and I grew up with a father who told big-fish stories, so storytelling is very much a part of me. It was a part of my family.
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I'm really happy when I'm immersed in the art of it all - immersed in the music, the dance, the visual. Tapping into joy - it saves you.
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It is true that I visualize music and, as I visualize music, I have some sort of story running in my head, all the time.
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I would love to direct a play. But I think when people look at me they see music and dancing and singing.
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I think theatres will always remain a sacred place where people go for something live and experience things live, which is very different than the experience of film.
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I think a woman who is successful is critiqued more harshly than a man is critiqued.
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You don't do any show to be celebrated. In fact, you don't do any show thinking what's going to happen in the end. You immerse yourself in a room full of talent and a room full of designers and you hope for the best.
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I know a lot of choreographers prefer to do abstract dance and not be bothered with a story, but even when I'm asked to do classical ballet or a modern piece, I still want to tell a story.
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I don't want to work with someone who's nervous, I want to work with someone who is fearless
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