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The happening operates by creating an asymmetrical network of surprises, without climax or consummation, this is the alogism of dreams rather than the logic of most art.

Susan Sontag

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Susan Sontag
Age: 71 †
Born: 1933
Born: January 16
Died: 2004
Died: December 28
Author
Essayist
Feminist
Film Critic
Film Director
Historian
Human Rights Activist
Journalist
Literary Critic
Novelist
Opinion Journalist
New York City
New York
Susan Rosenblatt
Without
Logic
Happening
Asymmetrical
Surprise
Consummation
Creating
Climax
Dreams
Operates
Rather
Surprises
Art
Network
Dream
Happenings

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Photography is a kind of overstatement, a heroic copulation with the material world.
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The most refined form of sexual attractiveness - as well as the most refined form of sexual pleasure - consists in going against the grain of one's sex.
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What seems distinctively modern as a unit of thought, of art, of discourse is the fragment and the quotation is one kind of fragment.
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The past itself, as historical change continues to accelerate, has become the most surreal of subjects - making it possible... to see a new beauty in what is vanishing.
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A good book is an education of the heart. It enlarges your sense of human possibility what human nature is of what happens in the world. It's a creator of inwardness.
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Books are not only the arbitrary sum of our dreams, and our memory. They also give us the model of self-transcende nce.
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It is the nature of aphoristic thinking to be always in a state of concluding a bid to have the final word is inherent in all powerful phrase-making.
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Today everything exists to end in a photograph.
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That even an apocalypse can be made to seem part of the ordinary horizon of expectation constitutes an unparalleled violence that is being done to our sense of reality, to our humanity.
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Why wouldn't you write to escape yourself as much as you might write to express yourself? It's far more interesting to write about others.
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Religion is probably, after sex, the second oldest resource which human beings have available to them for blowing their minds.
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Images have been reproached for being a way of watching suffering at a distance, as if there were some other way of watching.
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Interpretation is the revenge of the intellect upon art. Even more. It is the revenge of the intellect upon the world. To interpret is to impoverish, to deplete the world -- in order to set up a shadow world of ''meanings.''
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Each of us carries a room within ourselves, waiting to be furnished and peopled, and if you listen closely, you may need to silence everything in your own room, you can hear the sounds of that other room inside your head.
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Growing older is mainly an ordeal of the imagination-a moral disease, a social pathology.
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Just as a camera is a sublimation of the gun, to photograph someone is a subliminal murder - a soft murder, appropriate to a sad, frightened time.
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Total experiences, of which there are many kinds, tend again and again to be apprehended only as revivals or translations of the religious imagination. To try to make a fresh way of talking at the most serious, ardent, and enthusiastic level, heading off the religious encapsulation, is one of the primary intellectual tasks of future thought.
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Writing is finally a series of permissions you give yourself to be expressive in certain ways. To leap. To fly. To fail.
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The white race is the cancer of human history it is the white race and it alone — its ideologies and inventions — which eradicates autonomous civilizations wherever it spreads, which has upset the ecological balance of the planet, which now threatens the very existence of life itself.
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Using a camera appeases the anxiety which the work-driven feel about not working when they are on vacation and supposed to be having fun. They have something to do that is like a friendly imitation of work: they can take pictures.
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