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the process of building a self and its works is always too slow. One is always in arrears to oneself.
Susan Sontag
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Susan Sontag
Age: 71 †
Born: 1933
Born: January 16
Died: 2004
Died: December 28
Author
Essayist
Feminist
Film Critic
Film Director
Historian
Human Rights Activist
Journalist
Literary Critic
Novelist
Opinion Journalist
New York City
New York
Susan Rosenblatt
Self
Always
Slow
Oneself
Works
Building
Process
More quotes by Susan Sontag
Passion paralyzes good taste.
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All possibility of understanding is rooted in the ability to say no.
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Norman Mailer in his writings is ultimately more concerned with success than with danger danger is only a means to success.
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War tears, rends. War rips open, eviscerates. War scorches. War dismembers. War ruins.
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I am profoundly uncertain how to write. I know what I love and what I like, because it's a direct passionate response. But when I write, I'm very uncertain whether it's good enough. That is, of course, the writer's agony.
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The truth is balance. However the opposite of truth, which is unbalance, may not be a lie.
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In the journal I do not just express myself more openly than I could to any person I create myself.
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In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
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Jews and homosexuals are the outstanding creative minorities in contemporary urban culture. Creative, that is, in the truest sense: they are creators of sensibilities. The two pioneering forces of modern sensibility are Jewish moral seriousness and homosexual aestheticism and irony.
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When you are writing, you are - from society's point of view - only producing the first version which will then be processed and recycled.
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Cinema is a kind of pan-art. It can use, incorporate, engulf virtually any other art: the novel, poetry, theater, painting, sculpture, dance, music, architecture. Unlike opera, which is a (virtually) frozen art form, the cinema is and has been a fruitfully conservative medium of ideas and styles of emotions.
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The destiny of photography has taken it far beyond the role to which it was originally thought to be limited: to give more accurate reports on reality (including works of art). Photography is the reality the real object is often experienced as a letdown.
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Photographs shock insofar as they show something novel.
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What, I ask, drives me to disorder? How can I diagnose myself? All I feel, most immediately, is the most anguished need for physical love and mental companionship -
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Anything in history or nature that can be described as changing steadily can be seen as heading toward catastrophe.
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The happening operates by creating an asymmetrical network of surprises, without climax or consummation, this is the alogism of dreams rather than the logic of most art.
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Cancer is a demonic pregnancy.
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We live under continual threat of two equally fearful, but seemingly opposed destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.
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The fact that illness is associated with the poor --who are, from the perspective of the privileged, aliens in one's midst --reinforces the association of illness with the foreign with an exotic, often primitive place.
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Lying is the most simple form of self-defence.
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