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When Cartier-Bresson goes to China, he shows that there are people in China, and that they are Chinese.
Susan Sontag
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Susan Sontag
Age: 71 †
Born: 1933
Born: January 16
Died: 2004
Died: December 28
Author
Essayist
Feminist
Film Critic
Film Director
Historian
Human Rights Activist
Journalist
Literary Critic
Novelist
Opinion Journalist
New York City
New York
Susan Rosenblatt
People
Bresson
Cartier
Chinese
China
Photography
Goes
Shows
More quotes by Susan Sontag
What I expect from writers-and from myself as a writer-is to articulate a complex view of things. To incite us to be more compassionate. To orchestrate our mourning. And to celebrate ecstasy.
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All photographs aspire to the condition of being memorable - that is, unforgettable.
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Although there is a sense in which the camera does indeed capture reality, not just interpret it, photographs are as much an interpretation of the world as paintings and drawings are
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Books are not only the arbitrary sum of our dreams, and our memory. They also give us the model of self-transcende nce.
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Taste tends to develop very unevenly. It's rare that the same person has good visual taste and good taste in people and taste in ideas.
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The happening operates by creating an asymmetrical network of surprises, without climax or consummation, this is the alogism of dreams rather than the logic of most art.
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Camp taste turns its back on the good-bad axis of ordinary aesthetic judgment. Camp doesn't reverse things. It doesn't argue that the good is bad, or the bad is good. What it does is to offer for art, and life, a different - a supplementary - set of standards.
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Attention is vitality. It connects you with others. It makes you eager. Stay eager.
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A work of art, so far as it is a work of art, cannot - whatever the artist's personal intention - advocate anything at all.
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People tend to become cynical about even the most appalling crisis if it seems to be dragging on, failing to come to term.
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The history of art is a sequence of successful transgressions.
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What seems distinctively modern as a unit of thought, of art, of discourse is the fragment and the quotation is one kind of fragment.
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Real art has the capacity to make us nervous.
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Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. It is nowhere so durable as artistic or intellectual beauty. Moral beauty has a tendency to decay very rapidly into sententiousness or untimeliness.
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What is the most beautiful in virile men is something feminine what is most beautiful in feminine women is something masculine.
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The only interesting answers are those that destroy the questions.
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I was fascinated by quotations and lists. And then I noticed that other people were fascinated by quotations and lists: people as different as Borges and Walter Benjamin, Novalis and Godard.
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To take a photograph is to participate in another person's mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time's relentless melt.
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Why wouldn't you write to escape yourself as much as you might write to express yourself? It's far more interesting to write about others.
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Growing older is mainly an ordeal of the imagination-a moral disease, a social pathology.
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