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Just as a camera is a sublimation of the gun, to photograph someone is a subliminal murder - a soft murder, appropriate to a sad, frightened time.
Susan Sontag
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Susan Sontag
Age: 71 †
Born: 1933
Born: January 16
Died: 2004
Died: December 28
Author
Essayist
Feminist
Film Critic
Film Director
Historian
Human Rights Activist
Journalist
Literary Critic
Novelist
Opinion Journalist
New York City
New York
Susan Rosenblatt
Time
Soft
Appropriate
Camera
Gun
Cameras
Murder
Sublimation
Photograph
Subliminal
Someone
Frightened
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Kindness, kindness, kindness. I want to make a New Year's prayer, not a resolution. I'm praying for courage.
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To photograph is to appropriate the thing photographed. It means putting oneself into a certain relation to the world that feels like knowledge-and therefore, like power.
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It is the nature of aphoristic thinking to be always in a state of concluding a bid to have the final word is inherent in all powerful phrase-making.
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All understanding begins with our not accepting the world as it appears.
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Illness is the night-side of life, a more onerous citizenship. Everyone who is born holds dual citizenship, in the kingdom of the well and in the kingdom of the sick.
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I was fascinated by quotations and lists. And then I noticed that other people were fascinated by quotations and lists: people as different as Borges and Walter Benjamin, Novalis and Godard.
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Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible of making it stand still. One can't possess reality, one can possess (and be possessed by) images — as, according to Proust, most ambitious of voluntary prisoners, one can't possess the present but one can possessthe past.
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Everything was simple, physical, painful, exalting. The world consisted of the four elements - land and water, firepower and distancing air.
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Paintings invariably sum up photographs usually do not. Photographic images are pieces of evidence in an ongoing biography or history. And one photograph, unlike one painting, implies that there will be others.
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I discovered that I am tired of being a person. Not just tired of being the person I was, but any person at all
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Existence is no more than the precarious attainment of relevance in an intensely mobile flux of past, present, and future.
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With the modern diseases (once TB, now cancer) the romantic idea that the disease expresses the character is invariably extended to assert that the character causes the disease -- because it has not expressed itself. Passion moves inward, striking and blighting the deepest cellular recesses.
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The only interesting ideas are heresies
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What seems distinctively modern as a unit of thought, of art, of discourse is the fragment and the quotation is one kind of fragment.
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Why wouldn't you write to escape yourself as much as you might write to express yourself? It's far more interesting to write about others.
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I haven't been everywhere, but it's on my list.
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The likelihood that your acts of resistance cannot stop the injustice does not exempt you from acting in what you sincerely and reflectively hold to be the best interests of your community.
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