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The white race is the cancer of human history.

Susan Sontag

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Susan Sontag
Age: 71 †
Born: 1933
Born: January 16
Died: 2004
Died: December 28
Author
Essayist
Feminist
Film Critic
Film Director
Historian
Human Rights Activist
Journalist
Literary Critic
Novelist
Opinion Journalist
New York City
New York
Susan Rosenblatt
Humans
Autonomous
Genocide
Democrat
Cancer
Race
White
History
Human
Baroque

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All my life I've been looking for someone intelligent to talk to.
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Total experiences, of which there are many kinds, tend again and again to be apprehended only as revivals or translations of the religious imagination. To try to make a fresh way of talking at the most serious, ardent, and enthusiastic level, heading off the religious encapsulation, is one of the primary intellectual tasks of future thought.
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The only ideals allowed are healthy ones - those everyone may aspire to, or comfortably imagine oneself possessing.
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Persons who merely have-a-life customarily move in a dense fluid. That's how they're able to conduct their lives at all. Their living depends on not seeing.
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One set of messages of the society we live in is: Consume. Grow. Do what you want. Amuse yourselves.
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What, I ask, drives me to disorder? How can I diagnose myself? All I feel, most immediately, is the most anguished need for physical love and mental companionship -
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Despite the illusion of giving understanding, what seeing through photographs really invites is an acquisitive relation to the world that nourishes aesthetic awareness and promotes emotional detachment.
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Real art has the capacity to make us nervous.
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Religion is probably, after sex, the second oldest resource which human beings have available to them for blowing their minds.
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10 percent of any population is cruel, no matter what, and 10 percent is merciful, no matter what, and the remaining 80 percent can be moved in either direction.
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Etymologically, 'patient' means sufferer.
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Self-censorship, the most important and most successful form of censorship, is rampant. Debate is identified with dissent, which is in turn identified with disloyalty. There is a widespread feeling that, in this new, open-ended emergency, we may not be able to 'afford' our traditional freedoms.
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In a lot of writing or intellectual discourse we're starting to use that model: Oh, this is where it comes from! I would like to concentrate on work which is more resistant to that procedure, as I think fiction is.
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That sort of reception - where everything is assimilated to the world of celebrity - makes me dream of becoming a more recalcitrant, harder to assimilate writer.
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Cinema is a kind of pan-art. It can use, incorporate, engulf virtually any other art: the novel, poetry, theater, painting, sculpture, dance, music, architecture. Unlike opera, which is a (virtually) frozen art form, the cinema is and has been a fruitfully conservative medium of ideas and styles of emotions.
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Left-wing movements have tended to be unisex, and asexual in their imagery. Right-wing movements, however puritanical and repressive the realities they usher in, have an erotic surface. Certainly Nazism is sexier than communism.
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That even an apocalypse can be made to seem part of the ordinary horizon of expectation constitutes an unparalleled violence that is being done to our sense of reality, to our humanity.
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To paraphrase several sages: Nobody can think and hit someone at the same time.
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It's a pleasure to share one's memories. Everything remembered is dear, endearing, touching, precious. At least the past is safe though we didn't know it at the time. We know it now. Because it's in the past because we have survived.
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It is the action of bodies on bodies, not bodies on minds, which the crowd enjoys.
Susan Sontag