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Much of modern art is devoted to lowering the threshold of what is terrible. By getting us used to what, formerly, we could not bear to see or hear, because it was too shocking, painful, or embarrassing, art changes morals.
Susan Sontag
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Susan Sontag
Age: 71 †
Born: 1933
Born: January 16
Died: 2004
Died: December 28
Author
Essayist
Feminist
Film Critic
Film Director
Historian
Human Rights Activist
Journalist
Literary Critic
Novelist
Opinion Journalist
New York City
New York
Susan Rosenblatt
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Lowering
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Terrible
Morals
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More quotes by Susan Sontag
The creative phase of an idea coincides with the period during which it insists, cantankerously, on its boundaries, on what makes it different but an idea becomes false and impotent when it seeks reconciliation, at cut-rate prices, with other ideas.
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Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. It is nowhere so durable as artistic or intellectual beauty. Moral beauty has a tendency to decay very rapidly into sententiousness or untimeliness.
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When you are writing, you are - from society's point of view - only producing the first version which will then be processed and recycled.
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The culture-heroes of our liberal bourgeois civilisation are ant-liberal and ant-bourgeois . . .
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Mad people = People who stand alone and burn. I'm attracted to them because they give me permission to do the same.
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Real art has the capacity to make us nervous.
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Writing is a mysterious activity.
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The photographer both loots and preserves, denounces and consecrates.
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the process of building a self and its works is always too slow. One is always in arrears to oneself.
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Pornography is a theatre of types, never of individuals.
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Anything in history or nature that can be described as changing steadily can be seen as heading toward catastrophe.
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In the greatest art, one is always aware of things that cannot be said. . .of the contradiction between expression and the presence of the inexpressible. Stylistic devices are also techniques of avoidance. The most potent elements of a work of art are, often, its silences.
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One criticizes in others what one recognizes and despises in oneself. For example, an artist who is revolted by another’s ambitiousness.
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Art is seduction, not rape.
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It is the action of bodies on bodies, not bodies on minds, which the crowd enjoys.
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Ultimately ideas come out of a temperament or a sensibility, they are a crystallization or a precipitation of temperament.
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Life is not significant details, illuminated by a flash, fixed forever. Photographs are.
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Result of self-consciousness: audience and actor are the same. I live my life as a spectacle for myself, for my own edification. I live my life but I don't live in it. The hoarding instinct in human relations.
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What pornography is really about, ultimately, isn't sex but death.
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Norman Mailer in his writings is ultimately more concerned with success than with danger danger is only a means to success.
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