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I don’t care about someone being intelligent any situation between people, when they are really human with each other, produces ‘intelligence.

Susan Sontag

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Susan Sontag
Age: 71 †
Born: 1933
Born: January 16
Died: 2004
Died: December 28
Author
Essayist
Feminist
Film Critic
Film Director
Historian
Human Rights Activist
Journalist
Literary Critic
Novelist
Opinion Journalist
New York City
New York
Susan Rosenblatt
Produce
Situation
Someone
Care
Human
Humans
Produces
Really
Intelligence
People
Intelligent

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It is the action of bodies on bodies, not bodies on minds, which the crowd enjoys.
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Attention is vitality. It connects you with others. It makes you eager. Stay eager.
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If tragedy is an experience of hyperinvolvement, comedy is an experience of underinvolvement, of detachment.
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Wherever people feel safe — they will be indifferent.
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Cinema is a kind of pan-art. It can use, incorporate, engulf virtually any other art: the novel, poetry, theater, painting, sculpture, dance, music, architecture. Unlike opera, which is a (virtually) frozen art form, the cinema is and has been a fruitfully conservative medium of ideas and styles of emotions.
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Love words, agonize over sentences. And pay attention to the world.
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All understanding begins with our not accepting the world as it appears.
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And what do I mean by the word 'perfection'? That I shall not try to explain but only say, 'Perfection makes me laugh.' Not cynically, I hasten to add, 'With joy.
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With more people, there are more voices to tune out.
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Left-wing movements have tended to be unisex, and asexual in their imagery. Right-wing movements, however puritanical and repressive the realities they usher in, have an erotic surface. Certainly Nazism is sexier than communism.
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Time may enhance what seems simply dogged or lacking in fantasy now because we are too close to it, because it resembles too closely our own everyday fantasies, the fantastic nature of which we don't perceive. We are better able to enjoy a fantasy as a fantasy when it is not our own.
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Chris Marker has a brilliant mind and heart and appetite for life, and it's a privilege to travel with him to whatever he chooses to remember and to evoke. He is one of cinema's all time greats - the most important reflective or non-narrative filmmaker after Dziga Vertov.
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Today everything exists to end in a photograph.
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To take a photograph is to participate in another person's mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time's relentless melt.
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The easiest thing in the world for me is to pay attention.
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Growing older is mainly an ordeal of the imagination-a moral disease, a social pathology.
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Any sensibility which can be crammed into the mold of a system, or handled with the rough tools of proof, is no longer sensibility at all. It has hardened into an idea.
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Sanity is a cozy lie.
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In the greatest art, one is always aware of things that cannot be said. . .of the contradiction between expression and the presence of the inexpressible. Stylistic devices are also techniques of avoidance. The most potent elements of a work of art are, often, its silences.
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All possibility of understanding is rooted in the ability to say no.
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