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As objects of contemplation, images of the atrocious can answer to several different needs. To steel oneself against weakness. To make oneself more numb. To acknowledge the existence of the incorrigible.
Susan Sontag
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Susan Sontag
Age: 71 †
Born: 1933
Born: January 16
Died: 2004
Died: December 28
Author
Essayist
Feminist
Film Critic
Film Director
Historian
Human Rights Activist
Journalist
Literary Critic
Novelist
Opinion Journalist
New York City
New York
Susan Rosenblatt
Different
Acknowledge
Needs
Several
Make
Oneself
Atrocious
Weakness
Incorrigible
Answer
Numb
Objects
Steel
Answers
Contemplation
Existence
Images
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Finally, the most grandiose result of the photographic enterprise is to give us the sense that we can hold the whole world in our heads – as an anthology of images. To collect photographs is to collect the world
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Everyone who lives in an industrialized society is obliged gradually to give up the past, but in certain countries, such as the United States and Japan, the break with the past has been particularly traumatic.
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art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can only become art, when it is part of the past. In this normative sense, a 'contemporary' work of art would be a contradiction - except so far as we can, in the present, assimilate the present to the past.
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Lying is the most simple form of self-defence.
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The truth is always something that is told, not something that is known. If there were no speaking or writing, there would be no truth about anything. There would only be what is.
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The destiny of photography has taken it far beyond the role to which it was originally thought to be limited: to give more accurate reports on reality (including works of art). Photography is the reality the real object is often experienced as a letdown.
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That sort of reception - where everything is assimilated to the world of celebrity - makes me dream of becoming a more recalcitrant, harder to assimilate writer.
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...to be a poet, requires a mythology of the self. The self described is the poet self, to which the daily self (and others) are often ruthlessly sacrificed. The poet self is the real self, the other one is the carrier and when the poet self dies, the person dies.
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Writing is finally a series of permissions you give yourself to be expressive in certain ways. To leap. To fly. To fail.
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People robbed of their past seem to make the most fervent picture takers, at home and abroad.
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