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10 percent of any population is cruel, no matter what, and 10 percent is merciful, no matter what, and the remaining 80 percent can be moved in either direction.
Susan Sontag
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Susan Sontag
Age: 71 †
Born: 1933
Born: January 16
Died: 2004
Died: December 28
Author
Essayist
Feminist
Film Critic
Film Director
Historian
Human Rights Activist
Journalist
Literary Critic
Novelist
Opinion Journalist
New York City
New York
Susan Rosenblatt
Matter
Remaining
Merciful
Cruel
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Moved
Percent
Either
More quotes by Susan Sontag
What I really wanted was every kind of life, and the writer’s life seemed the most inclusive.
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I love to read the way people love to watch television.
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The only ideals allowed are healthy ones - those everyone may aspire to, or comfortably imagine oneself possessing.
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I don't write because there's an audience. I write because there is literature.
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It's beginnings that are hard. I always begin with a great sense of dread and trepidation. Nietzsche says that the decision to start writing is like leaping into a cold lake.
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Currently intellectuals in Western Europe and North America are extremely demoralized and shaken by the rise of a virulent conservative tendency (which some have even joined).
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Interpretation, based on the highly dubious theory that a work of art is composed of items of content, violates art. It makes art into an article for use, for arrangement into a mental scheme of categories.
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Photographs shock insofar as they show something novel.
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Writing is a mysterious activity.
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The whole point of Camp is to dethrone the serious. Camp is playful, anti-serious. More precisely, Camp involves a new, more complex relation to the serious. One can be serious about the frivolous, frivolous about the serious.
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It is the nature of aphoristic thinking to be always in a state of concluding a bid to have the final word is inherent in all powerful phrase-making.
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Never worry about being obsessive. I like obsessive people. Obsessive people make great art
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We live in a world of copies and we're fascinated when we encounter the originals (in a museum, for instance).
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In the greatest art, one is always aware of things that cannot be said. . .of the contradiction between expression and the presence of the inexpressible. Stylistic devices are also techniques of avoidance. The most potent elements of a work of art are, often, its silences.
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Thinking, writing are ultimately questions of stamina.
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Now the new things happening in France don't interest me.
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The destiny of photography has taken it far beyond the role to which it was originally thought to be limited: to give more accurate reports on reality (including works of art). Photography is the reality the real object is often experienced as a letdown.
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the appetite for thinking must be regulated, as all sensible people know, for it may stifle one's life.
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The basic unit for contemporary art is not the idea, but the analysis of and extension of sensations.
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