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Surrealism is a bourgeois disaffection that its militants thought it universal is only one of the signs that it is typically bourgeois.

Susan Sontag

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Susan Sontag
Age: 71 †
Born: 1933
Born: January 16
Died: 2004
Died: December 28
Author
Essayist
Feminist
Film Critic
Film Director
Historian
Human Rights Activist
Journalist
Literary Critic
Novelist
Opinion Journalist
New York City
New York
Susan Rosenblatt
Signs
Universal
Thought
Disaffection
Militants
Surrealism
Typically
Bourgeois

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The creative phase of an idea coincides with the period during which it insists, cantankerously, on its boundaries, on what makes it different but an idea becomes false and impotent when it seeks reconciliation, at cut-rate prices, with other ideas.
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All struggle, all resistance is -- must be -- concrete. And all struggle has a global resonance. If not here, then there. If not now, then soon. Elsewhere as well as here.
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If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinemahas access to an alogical or discontinuous use of space.
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I don't want to express alienation. It isn't what I feel. I'm interested in various kinds of passionate engagement. All my work says be serious, be passionate, wake up.
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Although none of the rules for becoming more alive is valid, it is healthy to keep on formulating them.
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The truth is always something that is told, not something that is known. If there were no speaking or writing, there would be no truth about anything. There would only be what is.
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Everything has changed and nothing is changed.
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Most of my reading is rereading.
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The shock of photographed atrocities wears off with repeated viewings, just as the surprise and bemusement felt the first time one sees a pornographic movie wear off after one sees a few more.
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Mallarme said that everything in the world exists in order to end in a book. Today everything exists to end in a photograph.
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All my life I've been looking for someone intelligent to talk to.
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One criticizes in others what one recognizes and despises in oneself. For example, an artist who is revolted by another’s ambitiousness.
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I have always been full of lust - as I am now - but I have always been placing conceptual obstacles in my own path.
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That even an apocalypse can be made to seem part of the ordinary horizon of expectation constitutes an unparalleled violence that is being done to our sense of reality, to our humanity.
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Photography is, first of all, a way of seeing.
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War is elective. It is not an inevitable state of affairs. War is not the weather.
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She felt herself needing more and more sleep. When she awoke in the morning, she thought of when she might lie down again - and when she would sleep. She started going to the movies.
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Attention is vitality. It connects you with others. It makes you eager. Stay eager.
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That sort of reception - where everything is assimilated to the world of celebrity - makes me dream of becoming a more recalcitrant, harder to assimilate writer.
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Life is not significant details, illuminated by a flash, fixed forever. Photographs are.
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