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Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Susan Sontag
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Susan Sontag
Age: 71 †
Born: 1933
Born: January 16
Died: 2004
Died: December 28
Author
Essayist
Feminist
Film Critic
Film Director
Historian
Human Rights Activist
Journalist
Literary Critic
Novelist
Opinion Journalist
New York City
New York
Susan Rosenblatt
Oldest
Disaster
Films
Subjects
Fiction
Science
Art
Film
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Today everything exists to end in a photograph.
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One can be serious about the frivolous, frivolous about the serious.
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Everyone who lives in an industrialized society is obliged gradually to give up the past, but in certain countries, such as the United States and Japan, the break with the past has been particularly traumatic.
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Photography is, first of all, a way of seeing.
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The basic unit for contemporary art is not the idea, but the analysis of and extension of sensations.
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What we need is to use what we have.
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Thinking, writing are ultimately questions of stamina.
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Surrealism is a bourgeois disaffection that its militants thought it universal is only one of the signs that it is typically bourgeois.
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The danger, when not too dangerous, fascinate.
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My emotional life: dialectic between craving for privacy and need to submerge myself in a passionate relationship to another.
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Attention is vitality. It connects you with others. It makes you eager. Stay eager.
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The white race is the cancer of human history.
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The truth of history crowds out the truth of fiction - as if one were obliged to choose between them.
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the process of building a self and its works is always too slow. One is always in arrears to oneself.
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art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can only become art, when it is part of the past. In this normative sense, a 'contemporary' work of art would be a contradiction - except so far as we can, in the present, assimilate the present to the past.
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Books are not only the arbitrary sum of our dreams, and our memory. They also give us the model of self-transcende nce.
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Many things in the world have not been named and many things, even if they have been named, have never been described.
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Paintings invariably sum up photographs usually do not. Photographic images are pieces of evidence in an ongoing biography or history. And one photograph, unlike one painting, implies that there will be others.
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