Sometimes the painting starts to relate very directly to either sights seen or experiences felt, other times it just goes off on a tangent that you really can’t articulate.

Most of my painting is done sitting in a chair with a book. I'd say it's 80 per cent sitting and reading, 10 per cent eating and ten per cent painting.

I think there has to be an interesting transformative process between your perception of reality and making the paintings. If you are just trying to render what you see you are not entering into a transformative process. And that's what makes a good painting: the process of transforming and the willingness to leave reality behind.

I started to try to be a colorist, although secretly thinking of myself as somewhat of a black and whiteist.

I think I care about beauty, but I don't go for it. I hope it sometimes might be in there. I think, maybe, more in terms of a beautiful moment than trying to figure out what beauty is or what people respond to.

I can say that paintings are prayers, they have to do with anything that makes you wish for more that what everyday life provides.

Some of the pictures are truly mysterious to me.. which is why I so often say publicly that I don't know or don't care what they're really about. And yet I can also say that the paintings are prayers.. that they have to do with whatever it is that makes you want more than what daily life affords.

The paintings are like prayers, relating to wishing for something beyond everyday life.