In everything I write, I seek out something which I term, 'the music'. This is an energy centre which I cannot define and which lies beyond the realm of obvious poetic technique.

In effective literature, ideas emerge from matter, not the other way around. So I squeeze the dirt for all it's worth and watch the sparks and diamonds fly. Add to this, the lubrication which music can provide, and you've got a workable literary form. Even when we reach the stars, we'll still be gazing down into the gutter.

Inspiration comes from books, music, films and of course, living memories and life experiences, my own and those of people I've known or met the casual glimpse from the stranger or the life and death of the close relative to breathe, for a moment, a Chekhovian air, it's all song and ice.

My motto is: write about anything you bloody well like just make sure you do it effectively. We've all had all the emotions, the rest is research and that leap which some can do and others cannot - it's not really something you can learn, otherwise all academics of literature would be wonderful fiction writers.

I know people who've passed every creative writing course under the sun and who are more analytically intelligent and far better-read than I, but who just can't write either fiction or drama. It's like any art-form. In order for talent to be developed, crafted, it's got to be there in the first place.