Quote

Public school felt like prison - cinderblock walls, fluorescent lights, metal lockers. It was so sterile and unstimulating.

Sufjan Stevens

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Sufjan Stevens
Age: 49
Born: 1975
Born: July 1
Banjoist
Composer
Guitarist
Musician
Oboist
Pianist
Record Producer
Saxophonist
Singer-Songwriter
Detroit
Michigan
Wall
Fluorescent
Public
Sterile
Felt
Lockers
Light
Metal
School
Metals
Like
Lights
Walls
Prison

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I'm terrified of just being myself because I think it's boring. I know who I really am and I think it's boring.
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I've always been obsessed with electronics and using computers and software. It's always been part of my vernacular.
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Tuesday night at the Bible study we lift our hands and pray over your body, but nothing ever happens.
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All the time we spent in bed, counting miles before we said, fall in love and fall apart, things will end before they start.
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Art is... a reflection of a greater divine creation. There really is no separation.
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One of my strongest memories is my father playing bongos in the living room in Detroit listening to Motown radio. He was this skinny white bald guy, but he was really moved by blues and Motown and funk.
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I like residing in abstraction.
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If there's any kind of morality, for me, it's about reality what is reality? I have a hard time distinguishing what is valuable when it comes to the real world and the fantasy world. Like, should I invest my time in the ordinary world or the imaginary world?
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It's traumatic to meditate on the availability of information through the Internet, or the way we perceive the world as a result. People don't experience things totally or viscerally anymore. It's all through representation, be it a record on YouTube or a post on a blog.
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I don't really have a domestic inclination. Even my apartment has a semblance of a storage facility. It's just stacks, there are no bookshelves, just books and piles of stamp collections and weird little sewing and knitting projects.
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Fiction has always been a thorn in my side, because I've always wanted to be a writer but I can't seem to really do it.
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My Dad used to say that the balance of the world relied on all of the monks who were living outside of society in creative isolation. I don't quite understand the ascetic life or the private life or the monastic private life. But I definitely understand privacy's value.
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Pro Tools is an incredible resource. I think it's enabled me to do things that I wouldn't have been able to do without this kind of computer editing.
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A musician's attempt to summarize his or her work leads to all this prescriptive chatter, or what I call the Modifier's Madness. A lot of adjectives working overtime.
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I remember Detroit feeling really unsafe, feeling scared a lot. Our house was broken into, our car was stolen, we had to get a watchdog, we would get beat up in the street, I had my bike stolen. There was just a lot of real anarchy on the streets and sidewalks.
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I think musicians should stay off television generally.
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I think of the saddest thing I can and then add a sick dog to that. If I think of a sick dog from the beginning, I just stop there.
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My siblings and I were raised like tenants, to be honest. There was a total absence of intimacy in my family, though there was still a great deal of camaraderie among the kids. Things were set up almost like a business, and it had to be managed that way because we were really poor, and there were a lot of mouths to feed.
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There's a sense of urgency in understanding that your body is not really your own. We can control it to a certain extent through habits and good behavior, but there's so much we don't have control of.
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Growing up on the border there, we were always frustrated with people's pronunciations of towns in Michigan, and people mispronouncing Illinois. There are all these Native American words that no one really knows how to pronounce.
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