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Public school felt like prison - cinderblock walls, fluorescent lights, metal lockers. It was so sterile and unstimulating.

Sufjan Stevens

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Sufjan Stevens
Age: 49
Born: 1975
Born: July 1
Banjoist
Composer
Guitarist
Musician
Oboist
Pianist
Record Producer
Saxophonist
Singer-Songwriter
Detroit
Michigan
Walls
Prison
Wall
Fluorescent
Public
Sterile
Felt
Lockers
Light
Metal
School
Metals
Like
Lights

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We live in community, and we're created in community. We're created out of the unity of two people, and then we're made into a family. It's just inherent in who we are.
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There's a sense of urgency in understanding that your body is not really your own. We can control it to a certain extent through habits and good behavior, but there's so much we don't have control of.
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Fiction has always been a thorn in my side, because I've always wanted to be a writer but I can't seem to really do it.
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Growing up on the border there, we were always frustrated with people's pronunciations of towns in Michigan, and people mispronouncing Illinois. There are all these Native American words that no one really knows how to pronounce.
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I'm terrified of just being myself because I think it's boring. I know who I really am and I think it's boring.
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We stayed a long, long time, to see you, to meet you, to see you at last.
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It's a mystical quality of music, that music isn't really concrete, and it's communicating abstractions about imaginary worlds. At least, my music's like that. It's not real. It's unreal, it's all fabrication. To write a song about Obama would suddenly break the spell.
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I think of the saddest thing I can and then add a sick dog to that. If I think of a sick dog from the beginning, I just stop there.
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We live in a world that is cruel to the earth itself. Man is a biological terrorist.
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I don't really have a domestic inclination. Even my apartment has a semblance of a storage facility. It's just stacks, there are no bookshelves, just books and piles of stamp collections and weird little sewing and knitting projects.
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My Dad used to say that the balance of the world relied on all of the monks who were living outside of society in creative isolation. I don't quite understand the ascetic life or the private life or the monastic private life. But I definitely understand privacy's value.
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The World's Fair was the precursor to theme parks like Disneyworld, and the really sort of cheap, superficial promotional architecture that you see everywhere in the US. I think there's a danger when you start creating a civilisation that isn't meant to last.
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If there's any kind of morality, for me, it's about reality what is reality? I have a hard time distinguishing what is valuable when it comes to the real world and the fantasy world. Like, should I invest my time in the ordinary world or the imaginary world?
Sufjan Stevens