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The young are so much more vulnerable than the old - the stuff is still warm and malleable, it takes impressions.

Storm Jameson

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Storm Jameson
Age: 95 †
Born: 1891
Born: January 8
Died: 1986
Died: September 30
Journalist
Novelist
Science Fiction Writer
Writer
Whitby
North Yorkshire
Margaret Storm Jameson
Margaret Ethel Storm Jameson
Vulnerable
Much
Warm
Youth
Takes
Stuff
Stills
Malleable
Impressions
Young
Impression
Still

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Writing was a chimney for my blazing ambitions.
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Nothing lasts. Not even a great sorrow.
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One of the uncovenanted benefits of living for a long time is that, having so many more dead than living friends, death can appear as a step backwards into the joyous past.
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No form of art repeats or imitates successfully all that can be said by another the writer conveys his experience of life along a channel of communication closed to painter, mathematician, musician, film-maker.
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As often as not our whole self...engages itself in the most trivial of things, the shape of a particular hill, a road in the town in which we lived as children, the movement of wind in grass. The things we shall take with us when we die will nearly all be small things.
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My mind is not suited to go much into company.
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The critic's hankering to be law-giver rather than servant of literature is irrepressible.
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A joke is a joke or the image of a truth.
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invaders always destroy libraries.
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Is it really beyond our wits to devise some form of censorship which would trap only the crudely sadistic?
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A minor symptom of wars is the cancerous growth of committees.
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To reject censorship after studying the risks involved is very well. To reject it ex cathedra, in the tones of Calvin pronouncing a dogma, eyes and mind closed to the possible consequences, the even marginally possible, is to make things too comfortable for oneself.
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All writers who can claim to be called 'living' must be political in a sense. They must have what the Quakers call a concern to understand what is happening in the world, and must engage themselves, in their writing, to promote no comfortable lies, of the sort which people will pay well to be told rather than the truth.
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Language is memory and metaphor.
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Fear is the deep motive of abstract art - fear of a repellent civilization which is dominated by the power of things. ... who can be surprised if, more sensitive than the others, the artist is terrified by the power things have acquired over us?
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Great advertising is the expression of deep emotional sincerity.
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I am never happier than when I am alone in a foreign city it is as if I had become invisible.
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A politician is forced to make a habit of noble phrases and optimistic lies. In the end they infect himself.
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Only one person in a thousand knows the trick of really living in the present.
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Novelists who treat violence and cruelty as something to be exploited for their effect, or to enjoy the pleasure of an evacuation, are carriers of a singularly unpleasant disease.
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