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I actually wanted to be a drummer, but I didn't have any drums.

Stevie Ray Vaughan

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Stevie Ray Vaughan
Age: 35 †
Born: 1954
Born: October 3
Died: 1990
Died: August 27
Composer
Guitarist
Singer-Songwriter
Dallas
Texas
Stephen Stevie Ray Vaughan
Stephen Ray Vaughan
Wanted
Drums
Drummer
Actually
Didn

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You know, there's a big lie in this business. The lie is that it's okay to go out in flames. But that doesn't do anybody much good. I may be wrong, but I think Hendrix was trying to come around.
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I don't play with a lot of finesse. I usually play like I'm breaking out of jail!
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I kept listening, kept going to see people, kept sitting in with people, kept listening to records. If I wanted to learn somebody's stuff, like with Clapton, when I wanted to learn how he was getting some of his sounds - which were real neat - I learned how to make the sounds with my mouth and then copied that with my guitar.
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You see, we are here, as far as I can tell, to help each other - our brothers, our sisters, our friends, our enemies. That's to help each other, not hurt each other.
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I use heavy strings, tune low, play hard, and floor it. Floor it. That's technical talk.
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I play as many different things - piano, sax and harp parts - as I can at once. Whatever I can fit, whenever I need to.
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That's how it happens, livin life by the drop.
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Your sound is in your hands as much as anything. It's the way you pick, and the way you hold the guitar, more than it is the amp or the guitar you use.
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Even though there's reasons to try things that may or may not work, it's still a real intimate way to finish the song with everybody right there in the band just locked in.
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Well there's floodin' down in Texas. All of the telephone lines are down. Well, I've been tryin' to call my baby, Lord, and I can't get a single sound.
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I figured out how to get the guitar to rumble...I put it on the middle pickup, turn the tone know down, grab it by the wang bar, and just shake it on the floor... a Stratocaster is pretty tough - I wouldn't recommend that anybody do that with their ES-335
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Some of us can be examples about going ahead and growing, and some of us, unfortunately, don't make it there, and end up being examples because they had to die. I hit rock bottom, but thank God my bottom wasn't death.
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But between sets I'd sneak over to the black places to hear blues musicians. It got to the point where I was making my living at white clubs and having my fun at the other places.
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The way I play, I go through a set in a year. So I put '58 Gibson Jumbo Bass frets on all my necks.
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I was taught to think the next week or month or year will only get better than it is today. So I just keep waiting to see how great it will get!
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Jazz changes and all. But I don't know the names of what it is I'm doing.
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The problem with taking amps to a shop is that they come back sounding like another amp.
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When I play from my mind I get in trouble.
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After I changed the string we picked up right where we left off - and punched back in at the same time. I don't know if this has ever been done before. The engineer sort of looked at us weird, but we got it on the first take.
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I wanted to play saxophone, but all I could get were a few squeaks.
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