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I'm very collaborative with everybody on the set.

Steven Spielberg

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Steven Spielberg
Age: 77
Born: 1946
Born: December 18
Actor
Art Collector
Businessperson
Director
Executive Producer
Film Actor
Film Director
Film Editor
Film Producer
Science Fiction Writer
Cincinnati
Ohio
Steven Allan Spielberg
Spielberg
Collaborative
Everybody

More quotes by Steven Spielberg

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People have forgotten how to tell a story. Stories don't have a middle or an end any more. They usually have a beginning that never stops beginning.
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I'm always in favor of Israel responding strongly when it's threatened.
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The Internet has been this miraculous conduit to the undeniable truth to the Holocaust.
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I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.
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I made 'Saving Private Ryan' for my father. He's the one who filled my head with war stories when I was growing up.
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I was making a lot of 8mm home movies, since I was twelve, making little dramas and comedies with the neighborhood kids.
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I wouldn't have filmed The Color Purple if the book had been a big fat novel. The reason I read it is because it is thin.
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Godzilla was the most masterful of all dinosaur movies because it made you believe it was really happening.
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I've always been interested in UFOs.
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I dream for a living.
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The Israeli-Palestinian conflict and Jihadism have nothing to do with each other.
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From a very young age, my parents taught me the most important lesson of my whole life: They taught me how to listen. They taught me how to listen to everybody before I made up my own mind. When you listen, you learn. You absorb like a sponge - and your life becomes so much better than when you are just trying to be listened to all the time.
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And I may often question choices I make as a producer. But I've never questioned the choices I make as a director.
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When I was a kid, there was no collaboration it's you with a camera bossing your friends around. But as an adult, filmmaking is all about appreciating the talents of the people you surround yourself with and knowing you could never have made any of these films by yourself.
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The greatest films ever made in our history were cut on film, and I'm tenaciously hanging on to the process. I just love going into an editing room and smelling the photochemistry and seeing my editor wearing mini-strands of film around his neck.
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She wanted to go over and hug his tears away, but she was too frightened.
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This whole thing about reality television to me is really indicative of America saying we're not satisfied just watching television, we want to star in our own TV shows. We want you to discover us and put us in your own TV show, and we want television to be about us, finally.
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The delicate balance of mentoring someone is not creating them in your own image, but giving them the opportunity to create themselves.
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One of my daughters is a competitive jumper, we live with horses, we have stables on our property. But I don't ride. I observe, and I worry.
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I've just always had a personal fascination with the myth of Abraham Lincoln. And once you start to read about him and the Civil War and everything leading up to the Civil War, you start to understand that the myth is created when we think we understand a character and we reduce him to a kind of cultural national stereotype.
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