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I basically took something that was extremely erotic and very intentional, and I reduced it to a simple kiss. I got a lot of criticism for that.

Steven Spielberg

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Steven Spielberg
Age: 77
Born: 1946
Born: December 18
Actor
Art Collector
Businessperson
Director
Executive Producer
Film Actor
Film Director
Film Editor
Film Producer
Science Fiction Writer
Cincinnati
Ohio
Steven Allan Spielberg
Spielberg
Simple
Erotic
Something
Reduced
Kiss
Extremely
Basically
Kissing
Criticism
Took
Intentional

More quotes by Steven Spielberg

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I love history, so I do a lot of movies about history.
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You shouldn't dream your film, you should make it!
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Movies are always in a state of locomotion. You start with a general idea of how it should feel and then you find you've got a runaway train. You have to race to catch up: the movie is telling you what it wants to become, and when that happens there's no greater feeling.
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The only time I'm totally happy is when I'm watching films or making them.
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Twenty years from now, there will still be a square screen, maybe even larger, and people will be sitting in a large, dark space, and they won't know each other unless they bring friends along.
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I had a great time creating the future on 'Minority Report,' and it's a future that is coming true faster than any of us thought it would.
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There are three movies that I am exceptionally proud of in my life, and I rarely commit to a list of films that I like, that I've made... but these are the three films that I was passionately connected to. The first was 'ET,' the second 'Schindler's List,' and third is 'Saving Private Ryan.'
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It [Lincoln movie] had nothing to do with politics. It had nothing to do with holding a mirror up to the way we conduct our business on Capitol Hill. This was meant to be a story, a Lincoln portrait if you will. I think any time is the right time for a very compelling story, any time.
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There is something about killing people at close range that is excruciating. It's bound to try a man's soul.
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My dad took me out to see a meteor shower when I was a little kid, and it was scary for me because he woke me up in the middle of the night. My heart was beating I didn't know what he wanted to do. He wouldn't tell me, and he put me in the car and we went off, and I saw all these people lying on blankets, looking up at the sky.
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There is something that you have that no one else ever had ... When you watch Kirk's [Douglas] performance in anything, in anything he's ever done, you cannot take your eyes off of him. It's not possible to look away from him.
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I'm certainly hoping that 3D gets to the point where people do not notice it because once they stop noticing it, it just becomes another tool and an aid to help tell a story.
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I have to stay interested. I can't do the same thing over and over again, which is why I don't do - I've made sequels, but it's the movies that are not sequels that I enjoy the most.
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It is not my job to compare my movies. I don't like to compare my films with other movies because I don't really have that perspective. It is an intellectual exercise, but it doesn't intuitively come to me.
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I've discovered I've got this preoccupation with ordinary people pursued by large forces.
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I don't really have a schedule of when I want to show my children my movies.
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My filmmaking really began with technology. It began through technology, not through telling stories, because my 8mm movie camera was the way into whatever I decided to do.
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The turning point in my career was Jaws. It was a turning point because I was a director-for-hire before Jaws and because it was such a big hit I could do any movie I wanted and Hollywood just wrote me a cheque.
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I was a scared kid... I think I was born a nervous wreck, and I think movies were one way to find a way transferring my own private horrors to everyone else's lives. It was less of an escape and more of an exorcism.
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In '83, not only was there no such thing as performance motion capture technology, there was no such thing as digital animation. This was the analog era.
Steven Spielberg