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I guess my first digital movie was 'Tintin' because 'Tintin' has no film step. There is no intermediate film step. It's 100% digital animation, but as far as a live-action film, I'm still planning to shoot everything on film.

Steven Spielberg

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Steven Spielberg
Age: 77
Born: 1946
Born: December 18
Actor
Art Collector
Businessperson
Director
Executive Producer
Film Actor
Film Director
Film Editor
Film Producer
Science Fiction Writer
Cincinnati
Ohio
Steven Allan Spielberg
Spielberg
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Tintin
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Godzilla was the most masterful of all dinosaur movies because it made you believe it was really happening.
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In '83, not only was there no such thing as performance motion capture technology, there was no such thing as digital animation. This was the analog era.
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Even if I'd had a really happy relationship with my father and there was no emotional hiatus for a decade and a half, I probably would still have made some of the same choices for movies that I've made.
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I feel there is no substitute for going out to the movies. There is nothing like it.
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I'd love to build a company that will continue to make movies well beyond me someday. And I'd like to help start something great, even investing in it myself.
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The making of the movie and the routine of making the movie is a lot like being in a Spanish prison for five years on a marijuana breakdown.
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When my children were born, I made the choice I wanted them to be raised as Jews and to have a Jewish education.
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I want to be the Cecil B. DeMille of science fiction.
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I quit college so fast I didn't even clean out my locker.
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My dad took me out to see a meteor shower when I was a little kid, and it was scary for me because he woke me up in the middle of the night. My heart was beating I didn't know what he wanted to do. He wouldn't tell me, and he put me in the car and we went off, and I saw all these people lying on blankets, looking up at the sky.
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I've always been interested in how we survive and how resourceful we are as Americans.
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The bones of the story of 'War Horse' is a love story. That's what makes it universal.
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I think we need to take responsibility for the things we put on this planet, and also take responsibility for the things we take off the planet. We need to have limiters on how far we allow ourselves to go - ethical, moral limiters.
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I made 'Empire of the Sun' in Shanghai in the 1980s and want to come back one day to make a movie in China.
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I would lose myself too much if I thought of myself as the audience.
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Social media has taken over in America to such an extreme that to get my own kids to look back a week in their history is a miracle, let alone 100 years.
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Cell phones tend to bring us more inside of our lives whereas movies offer a chance to escape, so there are two competing forces.
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I once said that CGI makes you less inventive. At the time I was bemoaning the loss of the practical stunt. If a stunt can be done practically and safely, I'd rather do it old-style.
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This whole thing about reality television to me is really indicative of America saying we're not satisfied just watching television, we want to star in our own TV shows. We want you to discover us and put us in your own TV show, and we want television to be about us, finally.
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