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Because television doesn't offer the kind of budget that a movie offers, you've got to be a little more careful where you spend the money to put the fiction in science.

Steven Spielberg

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Steven Spielberg
Age: 78
Born: 1946
Born: December 18
Actor
Art Collector
Businessperson
Director
Executive Producer
Film Actor
Film Director
Film Editor
Film Producer
Science Fiction Writer
Cincinnati
Ohio
Steven Allan Spielberg
Spielberg
Television
Movie
Budget
Science
Budgets
Doesn
Offer
Money
Careful
Littles
Offers
Little
Spend
Kind
Fiction

More quotes by Steven Spielberg

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The older I get, the more I look at movies as a moving miracle.
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I even get inspired by movies that aren't very good, because there's always something good in movies that are collectively thought of as a failure. There's good in everything, I find.
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I'm certainly hoping that 3D gets to the point where people do not notice it because once they stop noticing it, it just becomes another tool and an aid to help tell a story.
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Audrey gave more than she ever got. The whole world is going to miss her.
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Movies principally require the best of everybody, all at the same time, being the best they can be. Not just like five people being the best they've ever been, and 10 people not being the best they could be. It's like if everybody is either doing their greatest work, or the whole house of cards falls apart.
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I basically took something that was extremely erotic and very intentional, and I reduced it to a simple kiss. I got a lot of criticism for that.
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[The way Stanley Kubrick] tells a story is antithetical to the way we are accustomed to receiving stories.
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Not every movie, in my opinion, should be in 3D. There are a lot of stories I wouldn't shoot in 3D. But, you know, there are movies that are perfect in 3D.
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I'd rather direct than produce. Any day. And twice on Sunday.
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My movies more often are told through pictures, not words. But in this case, the pictures took second position to the incredible words of Abraham Lincoln and his presence [...] I was less interested in an outpouring of imagery than in letting the most human moment of this story evolve before us.
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I dream for a living.
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This whole thing about reality television to me is really indicative of America saying we're not satisfied just watching television, we want to star in our own TV shows. We want you to discover us and put us in your own TV show, and we want television to be about us, finally.
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When I was younger, all I cared about was what people thought of me and my films. Now I care less about catering, hand-serving, hand-feeding the audience. I've gotten to the point now in my life where I'm serving myself.
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The turning point in my career was Jaws. It was a turning point because I was a director-for-hire before Jaws and because it was such a big hit I could do any movie I wanted and Hollywood just wrote me a cheque.
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I wouldn't have filmed The Color Purple if the book had been a big fat novel. The reason I read it is because it is thin.
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Before I go off and direct a movie, I always look at four films. They tend to be The Seven Samurai, Lawrence Of Arabia, It's A Wonderful Life and The Searchers.
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In high school, I got smacked and kicked around. Two bloody noses. It was horrible.
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The best time of my life has been the three instances where I have been there for the birth of my children. That is, nothing [else] has ever come close.
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I still have pretty much the same fears I had as a kid. I'm not sure I'd want to give them up a lot of these insecurities fuel the movies I make.
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I've been shooting movies and television shows for now 47 years and I've worked with the best of them and [Kirk Douglas] is the only movie star I ever met.
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