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I get that same queasy, nervous, thrilling feeling every time I go to work. That's never worn off since I was 12 years-old with my dad's 8-millimeter movie camera.

Steven Spielberg

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Steven Spielberg
Age: 77
Born: 1946
Born: December 18
Actor
Art Collector
Businessperson
Director
Executive Producer
Film Actor
Film Director
Film Editor
Film Producer
Science Fiction Writer
Cincinnati
Ohio
Steven Allan Spielberg
Spielberg
Feelings
Camera
Work
Nervous
Every
Cameras
Years
Dad
Never
Movie
Queasy
Time
Since
Millimeter
Feeling
Thrilling
Actors
Worn

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People have forgotten how to tell a story. Stories don't have a middle or an end any more. They usually have a beginning that never stops beginning.
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I guess my first digital movie was 'Tintin' because 'Tintin' has no film step. There is no intermediate film step. It's 100% digital animation, but as far as a live-action film, I'm still planning to shoot everything on film.
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I am a very impatient director.
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Even if I'd had a really happy relationship with my father and there was no emotional hiatus for a decade and a half, I probably would still have made some of the same choices for movies that I've made.
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I love history, so I do a lot of movies about history.
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Lincoln's leadership is based on a number of precepts, but my favorite one is that he acted in the name, and for the good, of the people.
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I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.
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I think the key divide between the interactive media and the narrative media is the difficulty in opening up an empathic pathway between the gamer and the character, as differentiated from the audience and the characters in a movie or a television show.
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My dad took me out to see a meteor shower when I was a little kid, and it was scary for me because he woke me up in the middle of the night. My heart was beating I didn't know what he wanted to do. He wouldn't tell me, and he put me in the car and we went off, and I saw all these people lying on blankets, looking up at the sky.
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You know, I don't really do that much looking inside me when I'm working on a project. Whatever I am becomes what that film is. But I change you change.
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I wouldn't have filmed The Color Purple if the book had been a big fat novel. The reason I read it is because it is thin.
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I just had a crazy, wild imagination all my life, and science fiction is the greatest outlet for me.
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The only time I'm totally happy is when I'm watching films or making them.
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I interviewed survivors, I went to Poland, saw the cities and spent time with the people and spoke to the Jews who had come back to Poland after the war and talked about why they had come back.
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Technology can be our best friend, and technology can also be the biggest party pooper of our lives. It interrupts our own story, interrupts our ability to have a thought or a daydream, to imagine something wonderful, because we're too busy bridging the walk from the cafeteria back to the office on the cell phone.
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I'm very used to working with first time actors - you can just look back at 'E.T.' with Drew Barrymore, and Christian Bale from 'Empire of the Sun,' who'd never made a movie before.
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Before I go off and direct a movie, I always look at four films. They tend to be The Seven Samurai, Lawrence Of Arabia, It's A Wonderful Life and The Searchers.
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Actors just need each other to act together.
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I don't really have a schedule of when I want to show my children my movies.
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