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I don't really have a schedule of when I want to show my children my movies.

Steven Spielberg

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Steven Spielberg
Age: 78
Born: 1946
Born: December 18
Actor
Art Collector
Businessperson
Director
Executive Producer
Film Actor
Film Director
Film Editor
Film Producer
Science Fiction Writer
Cincinnati
Ohio
Steven Allan Spielberg
Spielberg
Schedule
Schedules
Movies
Show
Shows
Children
Really

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Well, luckily with animation, fantasy is your friend.
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I think the key divide between the interactive media and the narrative media is the difficulty in opening up an empathic pathway between the gamer and the character, as differentiated from the audience and the characters in a movie or a television show.
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Godzilla was the most masterful of all dinosaur movies because it made you believe it was really happening.
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Casting sometimes is fate and destiny more than skill and talent, from a director's point of view.
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One of the gratuities about being a director is that you can volunteer yourself out of difficult details.
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If Bush, as I believe, has reliable information on the fact that Saddam Hussein is making weapons of mass destruction, I cannot not support the policies of his government.
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When I was very young, I remember my mother telling me about a friend of hers in Germany, a pianist who played a symphony that wasn't permitted, and the Germans came up on stage and broke every finger on her hands. I grew up with stories of Nazis breaking the fingers of Jews.
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I've always been interested in UFOs.
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I turned down 'Harry Potter' and 'Spider-Man,' two movies that I knew would be phenomenally successful, because I had already made movies like that before and they offered no challenge to me. I don't need my ego to be reminded.
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Like, I took no poetic license with 'Schindler's List' because that was historical, factual documents.
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I made 'Empire of the Sun' in Shanghai in the 1980s and want to come back one day to make a movie in China.
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I had no choice. It was just something that happened. I was always looking for ways to act out, and I got a camera and it acted out for me.
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I still have pretty much the same fears I had as a kid. I'm not sure I'd want to give them up a lot of these insecurities fuel the movies I make.
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In high school, I got smacked and kicked around. Two bloody noses. It was horrible.
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My dad took me out to see a meteor shower when I was a little kid, and it was scary for me because he woke me up in the middle of the night. My heart was beating I didn't know what he wanted to do. He wouldn't tell me, and he put me in the car and we went off, and I saw all these people lying on blankets, looking up at the sky.
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Movies principally require the best of everybody, all at the same time, being the best they can be. Not just like five people being the best they've ever been, and 10 people not being the best they could be. It's like if everybody is either doing their greatest work, or the whole house of cards falls apart.
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The Israeli-Palestinian conflict and Jihadism have nothing to do with each other.
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It is not my job to compare my movies. I don't like to compare my films with other movies because I don't really have that perspective. It is an intellectual exercise, but it doesn't intuitively come to me.
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Even if I'd had a really happy relationship with my father and there was no emotional hiatus for a decade and a half, I probably would still have made some of the same choices for movies that I've made.
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My filmmaking really began with technology. It began through technology, not through telling stories, because my 8mm movie camera was the way into whatever I decided to do.
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