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Documentaries are the first line of education, and the second line of education is dramatization, such as 'The Pacific'.
Steven Spielberg
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Steven Spielberg
Age: 77
Born: 1946
Born: December 18
Actor
Art Collector
Businessperson
Director
Executive Producer
Film Actor
Film Director
Film Editor
Film Producer
Science Fiction Writer
Cincinnati
Ohio
Steven Allan Spielberg
Spielberg
Firsts
First
Dramatization
Pacific
Documentaries
Line
Second
Lines
Education
More quotes by Steven Spielberg
In '83, not only was there no such thing as performance motion capture technology, there was no such thing as digital animation. This was the analog era.
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I turned down 'Harry Potter' and 'Spider-Man,' two movies that I knew would be phenomenally successful, because I had already made movies like that before and they offered no challenge to me. I don't need my ego to be reminded.
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I usually do about five cuts as a director. I haven't ever directed a film where I haven't made five passes through the movie, and that takes a long time.
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I don't really have a schedule of when I want to show my children my movies.
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Lincoln believed in the American people.
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A lot of the films I've made probably could have worked just as well 50 years ago, and that's just because I have a lot of old-fashion values.
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The thing that I'm just scared to death of is that someday I'm going to wake up and bore somebody with a film.
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I feel like Ive been engaged to the British Empire since 1980 and tonight you have given me the ring knighthood.
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I was a scared kid... I think I was born a nervous wreck, and I think movies were one way to find a way transferring my own private horrors to everyone else's lives. It was less of an escape and more of an exorcism.
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My dad took me out to see a meteor shower when I was a little kid, and it was scary for me because he woke me up in the middle of the night. My heart was beating I didn't know what he wanted to do. He wouldn't tell me, and he put me in the car and we went off, and I saw all these people lying on blankets, looking up at the sky.
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I made 'Saving Private Ryan' for my father. He's the one who filled my head with war stories when I was growing up.
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I like that the best about DVD: how small it is.
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I never felt comfortable with myself, because I was never part of the majority. I always felt awkward and shy and on the outside of the momentum of my friends' lives.
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[The way Stanley Kubrick] tells a story is antithetical to the way we are accustomed to receiving stories.
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I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.
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I wanted to do another movie that could make us laugh and cry and feel good about the world. I wanted to do something else that could make us smile. This is a time when we need to smile more and Hollywood movies are supposed to do that for people in difficult times.
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I have to stay interested. I can't do the same thing over and over again, which is why I don't do - I've made sequels, but it's the movies that are not sequels that I enjoy the most.
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I had to get over my fear of running through the world naked and learn to say 'take me or leave me.'
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I still have pretty much the same fears I had as a kid. I'm not sure I'd want to give them up a lot of these insecurities fuel the movies I make.
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When I was a kid, there was no collaboration it's you with a camera bossing your friends around. But as an adult, filmmaking is all about appreciating the talents of the people you surround yourself with and knowing you could never have made any of these films by yourself.
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