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Documentaries are the first line of education, and the second line of education is dramatization, such as 'The Pacific'.
Steven Spielberg
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Steven Spielberg
Age: 77
Born: 1946
Born: December 18
Actor
Art Collector
Businessperson
Director
Executive Producer
Film Actor
Film Director
Film Editor
Film Producer
Science Fiction Writer
Cincinnati
Ohio
Steven Allan Spielberg
Spielberg
Lines
Education
Firsts
First
Dramatization
Pacific
Documentaries
Line
Second
More quotes by Steven Spielberg
Whether in success or in failure, I'm proud of every single movie I've ever directed.
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I basically took something that was extremely erotic and very intentional, and I reduced it to a simple kiss. I got a lot of criticism for that.
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The Internet has been this miraculous conduit to the undeniable truth to the Holocaust.
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Casting sometimes is fate and destiny more than skill and talent, from a director's point of view.
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I just think that the qualities of leadership are unknown even to the leader until he's tested and given a challenge.
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I've always been very hopeful which I guess isn't strange coming from me. I don't want to call myself an optimist. I want to say that I've always been full of hope. I've never lost that. I have a lot of hope for this country and for the entire world. . .
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You know, I don't really do that much looking inside me when I'm working on a project. Whatever I am becomes what that film is. But I change you change.
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I don't play online games. 'Warcraft,' I've played that, but I mainly play action games.
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When I was a kid, there was no collaboration it's you with a camera bossing your friends around. But as an adult, filmmaking is all about appreciating the talents of the people you surround yourself with and knowing you could never have made any of these films by yourself.
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One of the gratuities about being a director is that you can volunteer yourself out of difficult details.
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Fathering is a major job, but I need both things in my life: my job to be a director, and my kids to direct me.
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I've just always had a personal fascination with the myth of Abraham Lincoln. And once you start to read about him and the Civil War and everything leading up to the Civil War, you start to understand that the myth is created when we think we understand a character and we reduce him to a kind of cultural national stereotype.
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My problem is that my imagination won't turn off. I wake up so excited I can't eat breakfast. I've never run out of energy. It's not like OPEC oil I don't worry about a premium going on my energy. It's just always been there. I got it from my mom.
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My filmmaking really began with technology. It began through technology, not through telling stories, because my 8mm movie camera was the way into whatever I decided to do.
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When I don't have a movie, I don't take a job just for the sake of working. I just sit it out until I find something I'm passionate about.
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I made 'Empire of the Sun' in Shanghai in the 1980s and want to come back one day to make a movie in China.
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I was fifteen, or sixteen. I was in high school. I was spending a summer in California with my second cousins. And I wanted to be a director really bad. I was making a lot of 8mm home movies, since I was twelve, making little dramas and comedies with the neighborhood kids.
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My dad took me out to see a meteor shower when I was a little kid, and it was scary for me because he woke me up in the middle of the night. My heart was beating I didn't know what he wanted to do. He wouldn't tell me, and he put me in the car and we went off, and I saw all these people lying on blankets, looking up at the sky.
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Desperate times require desperate measures. What Lincoln and the Lobbyist for the Amendment and the Manager of the Amendment and himself, what they did to get this passed was not illegal. It was murky, but what they did was noble and grand. How they went about it was somewhat murky. Nothing they did was really illegal.
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Social media has taken over in America to such an extreme that to get my own kids to look back a week in their history is a miracle, let alone 100 years.
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