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Casting sometimes is fate and destiny more than skill and talent, from a director's point of view.
Steven Spielberg
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Steven Spielberg
Age: 77
Born: 1946
Born: December 18
Actor
Art Collector
Businessperson
Director
Executive Producer
Film Actor
Film Director
Film Editor
Film Producer
Science Fiction Writer
Cincinnati
Ohio
Steven Allan Spielberg
Spielberg
Destiny
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Talent
Casting
Views
Skill
Point
Director
Sometimes
Directors
Skills
Fate
More quotes by Steven Spielberg
My head's not in the clouds, but I think I've gotten too much credit for being an astute businessman.
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I think documentaries are the greatest way to educate an entire generation that doesn't often look back to learn anything about the history that provided a safe haven for so many of us today.
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My movies more often are told through pictures, not words. But in this case, the pictures took second position to the incredible words of Abraham Lincoln and his presence [...] I was less interested in an outpouring of imagery than in letting the most human moment of this story evolve before us.
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The Internet has been this miraculous conduit to the undeniable truth to the Holocaust.
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I get that same queasy, nervous, thrilling feeling every time I go to work. That's never worn off since I was 12 years-old with my dad's 8-millimeter movie camera.
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Lincoln believed in the American people.
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I think the key divide between the interactive media and the narrative media is the difficulty in opening up an empathic pathway between the gamer and the character, as differentiated from the audience and the characters in a movie or a television show.
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The delicate balance of mentoring someone is not creating them in your own image, but giving them the opportunity to create themselves.
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I don't drink coffee. I've never had a cup of coffee in my entire life. That's something you probably don't know about me. I've hated the taste since I was a kid.
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Technology can be our best friend, and technology can also be the biggest party pooper of our lives. It interrupts our own story, interrupts our ability to have a thought or a daydream, to imagine something wonderful, because we're too busy bridging the walk from the cafeteria back to the office on the cell phone.
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I was fifteen, or sixteen. I was in high school. I was spending a summer in California with my second cousins. And I wanted to be a director really bad. I was making a lot of 8mm home movies, since I was twelve, making little dramas and comedies with the neighborhood kids.
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I don't really have a schedule of when I want to show my children my movies.
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I've always been very hopeful which I guess isn't strange coming from me. I don't want to call myself an optimist. I want to say that I've always been full of hope. I've never lost that. I have a lot of hope for this country and for the entire world. . .
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The best time of my life has been the three instances where I have been there for the birth of my children. That is, nothing [else] has ever come close.
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She wanted to go over and hug his tears away, but she was too frightened.
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Desperate times require desperate measures. What Lincoln and the Lobbyist for the Amendment and the Manager of the Amendment and himself, what they did to get this passed was not illegal. It was murky, but what they did was noble and grand. How they went about it was somewhat murky. Nothing they did was really illegal.
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I think that the perceived downs in my own career come from just managing my time and not feeling that I have enough time for my family or my friends. You could put that in the personal life category but it's all one category because I've got to balance my family.
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Before I go off and direct a movie, I always look at four films. They tend to be The Seven Samurai, Lawrence Of Arabia, It's A Wonderful Life and The Searchers.
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I want to be the Cecil B. DeMille of science fiction.
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Not every movie, in my opinion, should be in 3D. There are a lot of stories I wouldn't shoot in 3D. But, you know, there are movies that are perfect in 3D.
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