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That's why my attitude, even on my larger-scale movies, is to make them cheap. The less these things cost, the better for everybody.

Steven Soderbergh

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Steven Soderbergh
Age: 61
Born: 1963
Born: January 14
Actor
Camera Operator
Cinematographer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Showrunner
Television Director
Atlanta
Georgia
Steven Andrew Soderbergh
Peter Andrews
Mary Ann Bernard
Less
Cheap
Better
Scale
Even
Larger
Make
Scales
Things
Cost
Movies
Attitude
Everybody

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I make every movie like it's the last one. If this was the last movie, what decision would I make? That's how I make my decisions.
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We have to have a version of our own story that we keep telling ourselves that allows us to get up in the morning. This version of yourself is what you sell to yourself. I think it necessarily includes ... not looking at certain things. Everybody's got some blind spot.
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I'm not a snob. If I feel like there's a star that's the best person for that role, then that's who I get.
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Jude [Law] is really good at playing an obsessive. He has a very watchable quality when he's on a quest for something.
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I never leave the writer behind, because you rewrite the movie in post, or at least I do. I always do, and I feel like anybody who doesn't at least explore that possibility is short-changing themselves. Editing is the most fun and most exciting part of the process.
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I just find it annoying that in these sequences [of the fight scenes], traditionally, there's music trying to pump you up. I don't like that, personally, as an audience member. This just reflects my taste.
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Lying is like alcoholism. You are always recovering.
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Surprisingly, I don't throw away that much. I don't move forward with a lot of things unless they're going somewhere. You also have to remember that when you're working with other artists, you have to be really careful about how you deal with that stuff.
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I'm not precious about anything. The effort it took to get something means nothing to me in post. It means nothing to the audience. I'll chop limbs off. I'll put an arm where a leg should be. I'll do anything.
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I think there are only two times that I've ever ended up paying somebody their quote. Like what they actually were worth in the marketplace.
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But my sense in talking to people when I travel is that the film business is not that dissimilar from a lot of other businesses.
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I'm probably more character-driven than plot-driven. It's rare for me to attach myself to an idea for a story.
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We [people] are a species that's wired to tell stories. We need stories. It's how we make sense of things. It's how we learn.
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There is sadness of when you're watching someone enjoy something that you think is substandard. The ineffable sadness when someone is happy and something is not as good as it should be.
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When we look at what's going on in the world and we see the immense level of conflict that seems to always be happening - you can always trace it back to competing narratives.
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