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If you're not smart enough to know what Fidel meant during the Cuban revolution, that - when they were on the Granma - Fidel was already a rock star in Cuba, and how important that was to the indigenous population, then you're not paying attention.

Steven Soderbergh

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Steven Soderbergh
Age: 61
Born: 1963
Born: January 14
Actor
Camera Operator
Cinematographer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Showrunner
Television Director
Atlanta
Georgia
Steven Andrew Soderbergh
Peter Andrews
Mary Ann Bernard
Already
Paying
Stars
Population
Star
Attention
Meant
Enough
Rock
Fidel
Important
Rocks
Cuban
Smart
Indigenous
Revolution
Cuba

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You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.
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A Movie That Costs Only $1.6 Million Doesn't Have to Be a Cultural Event to Turn a Profit.
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I come from a generation that was surrounded by popular music, but I don't know if anybody's ever going to move the ball forward as far and as fast as the Beatles did.
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If you're a painter and you want people to know who you are and recognize your work, you've got to build some long-term value.
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Truth and facts have to trump partisanship. There has to be something that's true regardless of what your angle is on it.
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The art model of problem solving is incredibly efficient because ideology has no place there.There's only the thing and what the thing needs to be.
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I have a friend whose theory is that you're from wherever you went to high school. I think that's mostly true.
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Lying is like alcoholism. You are always recovering.
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Another thing that really excites me: I'd like to do multiple versions of the same film.
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Whenever you experiment with something, it's very easy to take the emotion out of it. And going back and forth between wanting to be respected artistically and wanting to move people is its own challenge.
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I'm always a little unnerved when I see a show that's set in the past that implies in any way that things were nicer then.
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The traditional models for success are just also disappearing.
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We [people] are a species that's wired to tell stories. We need stories. It's how we make sense of things. It's how we learn.
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A movie is something you see, cinema is something that’s made.
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A real litmus test for me is how people treat someone who is waiting on them. That's a dealbreaker for me.If I were on the verge of getting into a serious relationship and I saw that person be mean to a waiter... I'm out.
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I always have a plan, but then I'm always ready to throw the plan out, and everyone's ready to make a radical left turn if necessary.
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There is sadness of when you're watching someone enjoy something that you think is substandard. The ineffable sadness when someone is happy and something is not as good as it should be.
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We're all standing on the shoulders of what other people have done. But you're supposed to take that and add your own sauce. It can be intimidating, believe me.
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I'm probably more character-driven than plot-driven. It's rare for me to attach myself to an idea for a story.
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I'm not going to spend two years of my life on something that I'm not excited about.
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