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I have a friend whose theory is that you're from wherever you went to high school. I think that's mostly true.
Steven Soderbergh
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Steven Soderbergh
Age: 61
Born: 1963
Born: January 14
Actor
Camera Operator
Cinematographer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Showrunner
Television Director
Atlanta
Georgia
Steven Andrew Soderbergh
Peter Andrews
Mary Ann Bernard
True
School
Mostly
Think
Wherever
Thinking
Whose
Friend
Theory
Went
High
More quotes by Steven Soderbergh
I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves.
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There's a difference between failures and things that are bad.
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It's a world in which people's motives are questionable and shadowy.
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Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.
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Lying is like alcoholism. You are always recovering.
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We [people] are a species that's wired to tell stories. We need stories. It's how we make sense of things. It's how we learn.
Steven Soderbergh
My working life is me doing what I want to do. This is that. I've made movies that people don't go to see.
Steven Soderbergh
Sometimes I might feel like [a movie] is kind of a weird idea and if I'm going to get enough money to execute it properly I've got to get somebody in it that is going to justify the expense.
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I'm probably more character-driven than plot-driven. It's rare for me to attach myself to an idea for a story.
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But my sense in talking to people when I travel is that the film business is not that dissimilar from a lot of other businesses.
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I'm always a little unnerved when I see a show that's set in the past that implies in any way that things were nicer then.
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I think that music is a very difficult art form in which to be avant-garde. When we sit down to listen to a piece of music, I think our implicit hope is that we're going to find it beautiful, or at least emotional, on some level.
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I never leave the writer behind, because you rewrite the movie in post, or at least I do. I always do, and I feel like anybody who doesn't at least explore that possibility is short-changing themselves. Editing is the most fun and most exciting part of the process.
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You're being mean to someone who's helping you. What is that? Everyone knows who the assholes are, and I avoid them.
Steven Soderbergh
When we look at what's going on in the world and we see the immense level of conflict that seems to always be happening - you can always trace it back to competing narratives.
Steven Soderbergh
Every time you make something that somebody likes, your impulse is to remind them that if you hadn't made some of these other things that they hated, you wouldn't have been able to make the thing that they liked.
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You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.
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The ought to be a worldwide cultural taskforce that just stops you when you have ideas like combining The Red Desert with an armored car heist movie.
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I was thinking that people have to believe you're crazy in order to take you seriously as an artist. If you're wandering the streets, talking in gibberish, nobody ever asks you to change anything about your art because there's no context for people to look at what you do.
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If you're not smart enough to know what Fidel meant during the Cuban revolution, that - when they were on the Granma - Fidel was already a rock star in Cuba, and how important that was to the indigenous population, then you're not paying attention.
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