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I grew up mostly in the South, and there's definitely something about the South that's different from the North. When people ask me where I'm from, I say Louisiana. I spent more years there than anywhere else.
Steven Soderbergh
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Steven Soderbergh
Age: 61
Born: 1963
Born: January 14
Actor
Camera Operator
Cinematographer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Showrunner
Television Director
Atlanta
Georgia
Steven Andrew Soderbergh
Peter Andrews
Mary Ann Bernard
Else
North
Different
Mostly
Something
Anywhere
Years
Spent
People
Definitely
South
Grew
Asks
Louisiana
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Maybe I'll paint, do photography, just something else. I can see that.
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You should never assume anything coming from a critical standpoint. You should go into everything assuming you're going to get crushed.
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I think there are only two times that I've ever ended up paying somebody their quote. Like what they actually were worth in the marketplace.
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We have to have a version of our own story that we keep telling ourselves that allows us to get up in the morning. This version of yourself is what you sell to yourself. I think it necessarily includes ... not looking at certain things. Everybody's got some blind spot.
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It takes one asshole to ruin the whole thing. That's it. One. The problem with the world is one asshole comes up with a really bad idea and now we're all taking our shoes off at the airport.
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I'm not precious about anything. The effort it took to get something means nothing to me in post. It means nothing to the audience. I'll chop limbs off. I'll put an arm where a leg should be. I'll do anything.
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People like Chris Nolan are shooting isolated sequences in IMAX. Those cameras are the size of a Volkswagen.
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If you're a painter and you want people to know who you are and recognize your work, you've got to build some long-term value.
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There's a difference between failures and things that are bad.
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In Full Frontal and K Street, I learned to take advantage of the mobility that digital provides.
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I always have a plan, but then I'm always ready to throw the plan out, and everyone's ready to make a radical left turn if necessary.
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I actually didn't find out about a lot of music until I was older. Some people have been listening to the Beatles their whole lives I didn't discover them until I was 18 years old.
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If you're going to make a movie for ten thousand you can talk everybody into doing it for free. You could make a really good-looking movie right for ten grand, if you have an idea.
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We [people] are a species that's wired to tell stories. We need stories. It's how we make sense of things. It's how we learn.
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Sometimes I might feel like [a movie] is kind of a weird idea and if I'm going to get enough money to execute it properly I've got to get somebody in it that is going to justify the expense.
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The key is, how do you feel with the one asshole? They cannot be talked to. That's why they are assholes.
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I can make a movie about Lee Harvey Oswald and make you feel what he feels and make you understand why he believes what he believes. That doesn't mean I think you should go out and shoot JFK.
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There is sadness of when you're watching someone enjoy something that you think is substandard. The ineffable sadness when someone is happy and something is not as good as it should be.
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A real explosion is not only much more fun to shoot, it also helps the actors and creates an energy on set and ultimately in the scene.
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