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The art model of problem solving is incredibly efficient because ideology has no place there.There's only the thing and what the thing needs to be.

Steven Soderbergh

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Steven Soderbergh
Age: 61
Born: 1963
Born: January 14
Actor
Camera Operator
Cinematographer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Showrunner
Television Director
Atlanta
Georgia
Steven Andrew Soderbergh
Peter Andrews
Mary Ann Bernard
Place
Problem
Solving
Needs
Efficient
Thing
Incredibly
Ideology
Model
Models
Art

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It's a world in which people's motives are questionable and shadowy.
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If you're not smart enough to know what Fidel meant during the Cuban revolution, that - when they were on the Granma - Fidel was already a rock star in Cuba, and how important that was to the indigenous population, then you're not paying attention.
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I want to thank anyone who spends part of their day creating...anybody who spends part of their day sharing their experience with us-I think this world would be unlivable without art and I thank you.
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A meteor hits planet Earth - that's a story idea but that doesn't give me any indication of what the character is.
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You can't change who you are, so I think that the only thing you can do is just never talk to people about stuff and then hope that maybe does something.
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I stopped reading reviews about my own movies. I read stuff about other people's movies.
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You can't get good at anything unless you do it day in and day out, over and over.
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You’re supposed to expand your mind to fit the art, you’re not supposed to chop the art down to fit your mind.
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I know why we can't have a frank discussion with our policymakers - if you're in the government or in law enforcement you cannot acknowledge that drugs are anything but inherently evil and morally wrong.
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I like a lot of different kinds of movies, I like a lot of different kinds of paintings.
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Everybody, including me, has to submit to what it needs to be. The thing is at the top of the pyramid, the best version of the thing we all have to serve that. You forget that at your own risk. And I think movies are too long, in general.
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There are three major social issues that this country is struggling with: education, poverty, and drugs. Two of them we talk about, and one of them we don't.
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The traditional models for success are just also disappearing.
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I'm not a snob. If I feel like there's a star that's the best person for that role, then that's who I get.
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I have no shame in making music that maybe, if you listen to it long enough, you'll realize you've heard this or that part of it before. I'm still very excited by an amazingly written song, so that's really the thing that I work on when I make records with people.
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Well, it's 15 years since Sex, Lies And Videotape, and if you hang around long enough you're having the same arguments with just a new set of people every few years and it gets boring.
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I guess I just look at talent as a very subjective thing. I mean, if you never tried playing an oboe, how do you know you're not the most talented oboe player ever? The point is that if you don't love it, then it doesn't matter.
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I'm in the process of working out an arrangement to make some very, very, very small films in the midst of all these films and maybe that will help. But you get tired of talking. You just want to do it.
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Never had a cup of coffee in my life. Dr Pepper is my caffeine delivery system of choice.
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I guess why the Ocean's films are hard for me is because on the one hand you have to make sure the performances are there, but on the other hand it's a film that demands, to my mind, a very layered and complex visual scheme. That takes a lot of time to figure out.
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