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The art model of problem solving is incredibly efficient because ideology has no place there.There's only the thing and what the thing needs to be.

Steven Soderbergh

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Steven Soderbergh
Age: 61
Born: 1963
Born: January 14
Actor
Camera Operator
Cinematographer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Showrunner
Television Director
Atlanta
Georgia
Steven Andrew Soderbergh
Peter Andrews
Mary Ann Bernard
Incredibly
Thing
Ideology
Model
Models
Art
Place
Solving
Problem
Efficient
Needs

More quotes by Steven Soderbergh

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I'm probably more character-driven than plot-driven. It's rare for me to attach myself to an idea for a story.
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Everybody, including me, has to submit to what it needs to be. The thing is at the top of the pyramid, the best version of the thing we all have to serve that. You forget that at your own risk. And I think movies are too long, in general.
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I'm in the process of working out an arrangement to make some very, very, very small films in the midst of all these films and maybe that will help. But you get tired of talking. You just want to do it.
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To me the director’s job is to leave it in better shape than you found it, literally.
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Never had a cup of coffee in my life. Dr Pepper is my caffeine delivery system of choice.
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Surprisingly, I don't throw away that much. I don't move forward with a lot of things unless they're going somewhere. You also have to remember that when you're working with other artists, you have to be really careful about how you deal with that stuff.
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There's a difference between failures and things that are bad.
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I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves.
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I have a friend whose theory is that you're from wherever you went to high school. I think that's mostly true.
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What's great about things like Kickstarter is that it enables me, finally, and without any bad feeling at all, when people come up to me now saying, I want to do this. I can just go, There are no excuses anymore.
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Whenever you experiment with something, it's very easy to take the emotion out of it. And going back and forth between wanting to be respected artistically and wanting to move people is its own challenge.
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I guess I just look at talent as a very subjective thing. I mean, if you never tried playing an oboe, how do you know you're not the most talented oboe player ever? The point is that if you don't love it, then it doesn't matter.
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It's become absolutely horrible the way the people with the money decide they can fart in the kitchen.
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Your take on things is what is either going to make you somebody people talk about or no.
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I always have a plan, but then I'm always ready to throw the plan out, and everyone's ready to make a radical left turn if necessary.
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I know why we can't have a frank discussion with our policymakers - if you're in the government or in law enforcement you cannot acknowledge that drugs are anything but inherently evil and morally wrong.
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We have to have a version of our own story that we keep telling ourselves that allows us to get up in the morning. This version of yourself is what you sell to yourself. I think it necessarily includes ... not looking at certain things. Everybody's got some blind spot.
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Truth and facts have to trump partisanship. There has to be something that's true regardless of what your angle is on it.
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A real explosion is not only much more fun to shoot, it also helps the actors and creates an energy on set and ultimately in the scene.
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You’re supposed to expand your mind to fit the art, you’re not supposed to chop the art down to fit your mind.
Steven Soderbergh