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There is sadness of when you're watching someone enjoy something that you think is substandard. The ineffable sadness when someone is happy and something is not as good as it should be.

Steven Soderbergh

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Steven Soderbergh
Age: 61
Born: 1963
Born: January 14
Actor
Camera Operator
Cinematographer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Showrunner
Television Director
Atlanta
Georgia
Steven Andrew Soderbergh
Peter Andrews
Mary Ann Bernard
Think
Ineffable
Thinking
Sadness
Watching
Happy
Enjoy
Someone
Something
Good
Substandard

More quotes by Steven Soderbergh

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You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.
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There's a big difference between a movie about relationships and a movie in which people talk about relationships. It seems like a lot of people have confused the two.
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If you're going to make a movie for ten thousand you can talk everybody into doing it for free. You could make a really good-looking movie right for ten grand, if you have an idea.
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The art model of problem solving is incredibly efficient because ideology has no place there.There's only the thing and what the thing needs to be.
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I'm not a snob. If I feel like there's a star that's the best person for that role, then that's who I get.
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I want to thank anyone who spends part of their day creating...anybody who spends part of their day sharing their experience with us-I think this world would be unlivable without art and I thank you.
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All human interaction, you can break it down to incentives. All relationships, at some level, are transactional. They're fascinated with incentives.
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I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves.
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I actually didn't find out about a lot of music until I was older. Some people have been listening to the Beatles their whole lives I didn't discover them until I was 18 years old.
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I never leave the writer behind, because you rewrite the movie in post, or at least I do. I always do, and I feel like anybody who doesn't at least explore that possibility is short-changing themselves. Editing is the most fun and most exciting part of the process.
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The muscle memory of filtering away all the wrong versions of what you're doing improves the more time you're on a film set. I feel like my problem-solving algorithm got kicked up a notch.
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When we look at what's going on in the world and we see the immense level of conflict that seems to always be happening - you can always trace it back to competing narratives.
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That's why my attitude, even on my larger-scale movies, is to make them cheap. The less these things cost, the better for everybody.
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There's a difference between failures and things that are bad.
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Everybody, including me, has to submit to what it needs to be. The thing is at the top of the pyramid, the best version of the thing we all have to serve that. You forget that at your own risk. And I think movies are too long, in general.
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I'm a big believer that if there's something you really want to do, don't walk away because of the deal.
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Jude [Law] is really good at playing an obsessive. He has a very watchable quality when he's on a quest for something.
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Sometimes I might feel like [a movie] is kind of a weird idea and if I'm going to get enough money to execute it properly I've got to get somebody in it that is going to justify the expense.
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I was thinking that people have to believe you're crazy in order to take you seriously as an artist. If you're wandering the streets, talking in gibberish, nobody ever asks you to change anything about your art because there's no context for people to look at what you do.
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We [people] are a species that's wired to tell stories. We need stories. It's how we make sense of things. It's how we learn.
Steven Soderbergh