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You should never assume anything coming from a critical standpoint. You should go into everything assuming you're going to get crushed.

Steven Soderbergh

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Steven Soderbergh
Age: 61
Born: 1963
Born: January 14
Actor
Camera Operator
Cinematographer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Showrunner
Television Director
Atlanta
Georgia
Steven Andrew Soderbergh
Peter Andrews
Mary Ann Bernard
Never
Crushed
Assume
Assuming
Critical
Coming
Anything
Everything
Going
Standpoint

More quotes by Steven Soderbergh

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You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.
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To me the director’s job is to leave it in better shape than you found it, literally.
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If you're a painter and you want people to know who you are and recognize your work, you've got to build some long-term value.
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I'm not precious about anything. The effort it took to get something means nothing to me in post. It means nothing to the audience. I'll chop limbs off. I'll put an arm where a leg should be. I'll do anything.
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People like Chris Nolan are shooting isolated sequences in IMAX. Those cameras are the size of a Volkswagen.
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I never leave the writer behind, because you rewrite the movie in post, or at least I do. I always do, and I feel like anybody who doesn't at least explore that possibility is short-changing themselves. Editing is the most fun and most exciting part of the process.
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If you're not smart enough to know what Fidel meant during the Cuban revolution, that - when they were on the Granma - Fidel was already a rock star in Cuba, and how important that was to the indigenous population, then you're not paying attention.
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You can't get good at anything unless you do it day in and day out, over and over.
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I think there are only two times that I've ever ended up paying somebody their quote. Like what they actually were worth in the marketplace.
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Sometimes I might feel like [a movie] is kind of a weird idea and if I'm going to get enough money to execute it properly I've got to get somebody in it that is going to justify the expense.
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There's a difference between failures and things that are bad.
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Once I had a potentially heart attack-inducing eight double espressos in one day. I think my assistant secretly swaps my coffees for decaf as she doesn't want me to die of caffeine overdose.
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Jude [Law] is really good at playing an obsessive. He has a very watchable quality when he's on a quest for something.
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I'm not a snob. If I feel like there's a star that's the best person for that role, then that's who I get.
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I always have a plan, but then I'm always ready to throw the plan out, and everyone's ready to make a radical left turn if necessary.
Steven Soderbergh
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The traditional models for success are just also disappearing.
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Truth and facts have to trump partisanship. There has to be something that's true regardless of what your angle is on it.
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I guess why the Ocean's films are hard for me is because on the one hand you have to make sure the performances are there, but on the other hand it's a film that demands, to my mind, a very layered and complex visual scheme. That takes a lot of time to figure out.
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Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.
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When we look at what's going on in the world and we see the immense level of conflict that seems to always be happening - you can always trace it back to competing narratives.
Steven Soderbergh