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I always have a plan, but then I'm always ready to throw the plan out, and everyone's ready to make a radical left turn if necessary.

Steven Soderbergh

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Steven Soderbergh
Age: 61
Born: 1963
Born: January 14
Actor
Camera Operator
Cinematographer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Showrunner
Television Director
Atlanta
Georgia
Steven Andrew Soderbergh
Peter Andrews
Mary Ann Bernard
Always
Necessary
Plans
Ready
Turn
Turns
Everyone
Radical
Left
Throw
Make
Plan

More quotes by Steven Soderbergh

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When we look at what's going on in the world and we see the immense level of conflict that seems to always be happening - you can always trace it back to competing narratives.
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Another thing that really excites me: I'd like to do multiple versions of the same film.
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I had more fun making Traffic than either of the Ocean's films.
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I like a lot of different kinds of movies, I like a lot of different kinds of paintings.
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In Full Frontal and K Street, I learned to take advantage of the mobility that digital provides.
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Jude [Law] is really good at playing an obsessive. He has a very watchable quality when he's on a quest for something.
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I know why we can't have a frank discussion with our policymakers - if you're in the government or in law enforcement you cannot acknowledge that drugs are anything but inherently evil and morally wrong.
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I was thinking that people have to believe you're crazy in order to take you seriously as an artist. If you're wandering the streets, talking in gibberish, nobody ever asks you to change anything about your art because there's no context for people to look at what you do.
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I want to thank anyone who spends part of their day creating...anybody who spends part of their day sharing their experience with us-I think this world would be unlivable without art and I thank you.
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What's great about things like Kickstarter is that it enables me, finally, and without any bad feeling at all, when people come up to me now saying, I want to do this. I can just go, There are no excuses anymore.
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You should never assume anything coming from a critical standpoint. You should go into everything assuming you're going to get crushed.
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I tend to be drawn more to people than pure story ideas.
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A real litmus test for me is how people treat someone who is waiting on them. That's a dealbreaker for me.If I were on the verge of getting into a serious relationship and I saw that person be mean to a waiter... I'm out.
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My working life is me doing what I want to do. This is that. I've made movies that people don't go to see.
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I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves.
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Every time you make something that somebody likes, your impulse is to remind them that if you hadn't made some of these other things that they hated, you wouldn't have been able to make the thing that they liked.
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The muscle memory of filtering away all the wrong versions of what you're doing improves the more time you're on a film set. I feel like my problem-solving algorithm got kicked up a notch.
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If you're going to make a movie for ten thousand you can talk everybody into doing it for free. You could make a really good-looking movie right for ten grand, if you have an idea.
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I think that music is a very difficult art form in which to be avant-garde. When we sit down to listen to a piece of music, I think our implicit hope is that we're going to find it beautiful, or at least emotional, on some level.
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If you're a painter and you want people to know who you are and recognize your work, you've got to build some long-term value.
Steven Soderbergh