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I'm in the process of working out an arrangement to make some very, very, very small films in the midst of all these films and maybe that will help. But you get tired of talking. You just want to do it.
Steven Soderbergh
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Steven Soderbergh
Age: 61
Born: 1963
Born: January 14
Actor
Camera Operator
Cinematographer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Showrunner
Television Director
Atlanta
Georgia
Steven Andrew Soderbergh
Peter Andrews
Mary Ann Bernard
Process
Midst
Helping
Tired
Film
Films
Make
Small
Maybe
Working
Talking
Arrangement
Help
Arrangements
More quotes by Steven Soderbergh
I suppose I could try to be some avant-garde artist if I wanted to, but that doesn't interest me as much.
Steven Soderbergh
I'm a big believer that if there's something you really want to do, don't walk away because of the deal.
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I'm not precious about anything. The effort it took to get something means nothing to me in post.And it means nothing to the audience. I'll chop limbs off. I'll put an arm where a leg should be. I'll do anything.
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I know why we can't have a frank discussion with our policymakers - if you're in the government or in law enforcement you cannot acknowledge that drugs are anything but inherently evil and morally wrong.
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We all get outraged by things and there are things that make us angry and maybe for a while we get angry enough to actually go do something about it.
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I actually didn't find out about a lot of music until I was older. Some people have been listening to the Beatles their whole lives I didn't discover them until I was 18 years old.
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People like Chris Nolan are shooting isolated sequences in IMAX. Those cameras are the size of a Volkswagen.
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You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.
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I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves.
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Another thing that really excites me: I'd like to do multiple versions of the same film.
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The key is, how do you feel with the one asshole? They cannot be talked to. That's why they are assholes.
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There's a big difference between a movie about relationships and a movie in which people talk about relationships. It seems like a lot of people have confused the two.
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It's a world in which people's motives are questionable and shadowy.
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When we look at what's going on in the world and we see the immense level of conflict that seems to always be happening - you can always trace it back to competing narratives.
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I have no shame in making music that maybe, if you listen to it long enough, you'll realize you've heard this or that part of it before. I'm still very excited by an amazingly written song, so that's really the thing that I work on when I make records with people.
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There's a difference between failures and things that are bad.
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I'm always a little unnerved when I see a show that's set in the past that implies in any way that things were nicer then.
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You should never assume anything coming from a critical standpoint. You should go into everything assuming you're going to get crushed.
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My experience over the years with working with people who are not actors or not trained actors is that you have to get to know them well enough to see what they have that's translatable onto the screen.
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Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.
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