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The ought to be a worldwide cultural taskforce that just stops you when you have ideas like combining The Red Desert with an armored car heist movie.
Steven Soderbergh
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Steven Soderbergh
Age: 61
Born: 1963
Born: January 14
Actor
Camera Operator
Cinematographer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Showrunner
Television Director
Atlanta
Georgia
Steven Andrew Soderbergh
Peter Andrews
Mary Ann Bernard
Red
Armored
Car
Heist
Ought
Combining
Movie
Worldwide
Ideas
Lipstick
Like
Stops
Cultural
Desert
More quotes by Steven Soderbergh
I like a lot of different kinds of movies, I like a lot of different kinds of paintings.
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You should never assume anything coming from a critical standpoint. You should go into everything assuming you're going to get crushed.
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There are three major social issues that this country is struggling with: education, poverty, and drugs. Two of them we talk about, and one of them we don't.
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If you're a painter and you want people to know who you are and recognize your work, you've got to build some long-term value.
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I'm a big believer that if there's something you really want to do, don't walk away because of the deal.
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Another thing that really excites me: I'd like to do multiple versions of the same film.
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A real litmus test for me is how people treat someone who is waiting on them. That's a dealbreaker for me.If I were on the verge of getting into a serious relationship and I saw that person be mean to a waiter... I'm out.
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Your take on things is what is either going to make you somebody people talk about or no.
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The key is, how do you feel with the one asshole? They cannot be talked to. That's why they are assholes.
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People like Chris Nolan are shooting isolated sequences in IMAX. Those cameras are the size of a Volkswagen.
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We [people] are a species that's wired to tell stories. We need stories. It's how we make sense of things. It's how we learn.
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There's a difference between failures and things that are bad.
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I suppose I could try to be some avant-garde artist if I wanted to, but that doesn't interest me as much.
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We're all standing on the shoulders of what other people have done. But you're supposed to take that and add your own sauce. It can be intimidating, believe me.
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Well, it's 15 years since Sex, Lies And Videotape, and if you hang around long enough you're having the same arguments with just a new set of people every few years and it gets boring.
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Whenever you experiment with something, it's very easy to take the emotion out of it. And going back and forth between wanting to be respected artistically and wanting to move people is its own challenge.
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I'm probably more character-driven than plot-driven. It's rare for me to attach myself to an idea for a story.
Steven Soderbergh
A Movie That Costs Only $1.6 Million Doesn't Have to Be a Cultural Event to Turn a Profit.
Steven Soderbergh
I have a friend whose theory is that you're from wherever you went to high school. I think that's mostly true.
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I can make a movie about Lee Harvey Oswald and make you feel what he feels and make you understand why he believes what he believes. That doesn't mean I think you should go out and shoot JFK.
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