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I know why we can't have a frank discussion with our policymakers - if you're in the government or in law enforcement you cannot acknowledge that drugs are anything but inherently evil and morally wrong.

Steven Soderbergh

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Steven Soderbergh
Age: 61
Born: 1963
Born: January 14
Actor
Camera Operator
Cinematographer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Showrunner
Television Director
Atlanta
Georgia
Steven Andrew Soderbergh
Peter Andrews
Mary Ann Bernard
Cannot
Frank
Government
Discussion
Anything
Drugs
Acknowledge
Drug
Law
Inherently
Wrong
Morally
Evil
Enforcement

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Truth and facts have to trump partisanship. There has to be something that's true regardless of what your angle is on it.
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It's become absolutely horrible the way the people with the money decide they can fart in the kitchen.
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A real explosion is not only much more fun to shoot, it also helps the actors and creates an energy on set and ultimately in the scene.
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If you're going to make a movie for ten thousand you can talk everybody into doing it for free. You could make a really good-looking movie right for ten grand, if you have an idea.
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You’re supposed to expand your mind to fit the art, you’re not supposed to chop the art down to fit your mind.
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That's why my attitude, even on my larger-scale movies, is to make them cheap. The less these things cost, the better for everybody.
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Whenever you experiment with something, it's very easy to take the emotion out of it. And going back and forth between wanting to be respected artistically and wanting to move people is its own challenge.
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We all get outraged by things and there are things that make us angry and maybe for a while we get angry enough to actually go do something about it.
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In Full Frontal and K Street, I learned to take advantage of the mobility that digital provides.
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I tend to be drawn more to people than pure story ideas.
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Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.
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I'm not a snob. If I feel like there's a star that's the best person for that role, then that's who I get.
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A Movie That Costs Only $1.6 Million Doesn't Have to Be a Cultural Event to Turn a Profit.
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If you're a painter and you want people to know who you are and recognize your work, you've got to build some long-term value.
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Another thing that really excites me: I'd like to do multiple versions of the same film.
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I'm not going to spend two years of my life on something that I'm not excited about.
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My father, who was the one who really got me hooked on movies, liked all kinds of films, and I saw all kinds of films at a very young age.
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I have no shame in making music that maybe, if you listen to it long enough, you'll realize you've heard this or that part of it before. I'm still very excited by an amazingly written song, so that's really the thing that I work on when I make records with people.
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We're all standing on the shoulders of what other people have done. But you're supposed to take that and add your own sauce. It can be intimidating, believe me.
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I always have a plan, but then I'm always ready to throw the plan out, and everyone's ready to make a radical left turn if necessary.
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