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I know why we can't have a frank discussion with our policymakers - if you're in the government or in law enforcement you cannot acknowledge that drugs are anything but inherently evil and morally wrong.

Steven Soderbergh

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Steven Soderbergh
Age: 61
Born: 1963
Born: January 14
Actor
Camera Operator
Cinematographer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Showrunner
Television Director
Atlanta
Georgia
Steven Andrew Soderbergh
Peter Andrews
Mary Ann Bernard
Anything
Drugs
Acknowledge
Drug
Law
Inherently
Wrong
Morally
Evil
Enforcement
Cannot
Frank
Government
Discussion

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The ought to be a worldwide cultural taskforce that just stops you when you have ideas like combining The Red Desert with an armored car heist movie.
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A real litmus test for me is how people treat someone who is waiting on them. That's a dealbreaker for me.If I were on the verge of getting into a serious relationship and I saw that person be mean to a waiter... I'm out.
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My working life is me doing what I want to do. This is that. I've made movies that people don't go to see.
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But my sense in talking to people when I travel is that the film business is not that dissimilar from a lot of other businesses.
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I make every movie like it's the last one. If this was the last movie, what decision would I make? That's how I make my decisions.
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Lying is like alcoholism. You are always recovering.
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If you're a painter and you want people to know who you are and recognize your work, you've got to build some long-term value.
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Your take on things is what is either going to make you somebody people talk about or no.
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That's why my attitude, even on my larger-scale movies, is to make them cheap. The less these things cost, the better for everybody.
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I suppose I could try to be some avant-garde artist if I wanted to, but that doesn't interest me as much.
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Sometimes I might feel like [a movie] is kind of a weird idea and if I'm going to get enough money to execute it properly I've got to get somebody in it that is going to justify the expense.
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I'm not precious about anything. The effort it took to get something means nothing to me in post. It means nothing to the audience. I'll chop limbs off. I'll put an arm where a leg should be. I'll do anything.
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I stopped reading reviews about my own movies. I read stuff about other people's movies.
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You can't change who you are, so I think that the only thing you can do is just never talk to people about stuff and then hope that maybe does something.
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I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves.
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All human interaction, you can break it down to incentives. All relationships, at some level, are transactional. They're fascinated with incentives.
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You can't get good at anything unless you do it day in and day out, over and over.
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I just produced Criminal, this remake of Nine Queens, and one of the things that appealed to me about Nine Queens is that it was a performance piece, and that's the most fun.
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There's a difference between failures and things that are bad.
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I think that music is a very difficult art form in which to be avant-garde. When we sit down to listen to a piece of music, I think our implicit hope is that we're going to find it beautiful, or at least emotional, on some level.
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